fri 29/03/2024

Tim Cumming

Articles By Tim Cumming

Out of the shadows: Dylan’s Eighties reappraised

Read more...

Album: Gerry Rafferty - Rest in Blue

Read more...

Album: Katherine Priddy - The Eternal Rocks Beneath

Read more...

Shadow Kingdom: The Early Songs of Bob Dylan review - noir settings for classic numbers

Read more...

Album: Angélique Kidjo - Mother Nature

Read more...

1971, Apple TV+ review - rock'n'roll's golden year?

Read more...

Music books to end lockdown: Sam Lee, Hawkwind, Dylan, Richard Thompson, and the Electric Muses

Read more...

Album: They're Calling Me Home - Rhiannon Giddens with Francesco Turrisi

Read more...

Album: Mathieu Boogaerts - En Anglais

Read more...

Album: Katy Carr - Providence

Read more...

Albums of the Year 2020: Bob Dylan - Rough and Rowdy Ways

Read more...

Songlines Music Awards - Cerys Matthews introduces a global line-up of winners

Read more...

Arena - Fela Kuti: Father of Afrobeat, BBC Two review - the music that never dies

Read more...

CD: Cunning Folk - A Casual Invocation

Read more...

The Rolling Stones' Goats Head Soup 2020 - old-time decadence revisited

Read more...

CD: Soundwalk Collective with Patti Smith - Peradam

Read more...

Pages

latest in today

Bach's Easter Oratorio, OAE, Whelan, QEH review – the j...

Waiting, and hoping, may prove just as intense an experience as the fulfilment of a wish – or of a fear. Bach knew that, and infused his Easter...

Album: Jane Weaver - Love In Constant Spectacle

“Motif,” Love In Constant Spectacle’s fourth track, is the closest Jane Weaver has come in over a decade to the folk influences embraced...

First Person: author-turned-actor Lydia Higman on a play tha...

I first read Anne Gunter’s story about five years ago, when I was in my first year of university at Oxford, little knowing it would over time lead...

The Origin of Evil review - Laure Calamy stars in gripping F...

A young woman (Laure Calamy; Call my Agent!; Full Time; Her Way) is trying to pluck up the courage to call her...

Foam, Finborough Theatre review - fascism and f*cking in a G...

In a too brightly tiled Gentlemen’s public convenience (Nitin Parmar’s beautifully realised set is as much a character as any of the men we meet...

Album: Ride - Interplay

What a time to be alive it is for fans of late Eighties, early Nineties ...

Schubert Piano Sonatas 4, Paul Lewis, Wigmore Hall review -...

“Death doesn’t scare me at all,” said my friend Christopher Hitchens during our last telephone conversation. “After all, it’s the only certainty...

Vossa Jazz 2024 review - Norwegian festival embraces William...

“The name of this group is Mayan Space Station.” In spite of the billing as The William Parker Trio, their bassist – coolly introducing himself as...

First person: playwright Paul Grellong on keeping pace with...

I’m writing this in the lobby of the...