Thomas H Green
Bio
Thomas writes regularly for the Daily Telegraph and Mixmag. He has been a consistent presence in the UK dance music media since the mid-Nineties and has also written more broadly about music and the arts elsewhere. He has written one book, Rock Shrines, with another on the way. An ageing raver, he’s still occasionally to be found in nightclubs as dawn approaches.
Articles By Thomas H Green
latest in today
The Duchess [of Malfi], Trafalgar Theatre review - actors im...
John Webster’s sour, bloody tale of brotherly greed and vice has been updated by the playwright Zinnie Harris, who also directs her own...
London Film Festival 2024 - Daniel Craig, Amy Adams, Twiggy,...
Queer
William Burroughs’ eponymous novel was nearly...
Christian Gerhaher, Gerold Huber, Sheldonian Theatre, Oxford...
Christian Gerhaher, the most compelling and complete interpreter of German...
What We Talk About When We Talk About Anne Frank, Marylebone...
An incendiary play has opened at the Marylebone, the adventurous venue just off Baker Street. Bigger houses were apparently unwilling...
Land of the Free, Southwark Playhouse review - John Wilkes B...
Straddling the USA Presidential elections, Simple8’s run of Land of the Free could not be better timed,...
Oedipus, Wyndham's Theatre review - careful what you wi...
How many times does a politician survive wave after wave of attack from rivals, surf the waves of fickle voters and tiptoe around every policy...
The Crime Is Mine review - entertaining froth from a crack c...
For his latest pick’n’mix sortie into the world of the women’s picture,...
Knife on the Table, Cockpit Theatre review - gangsters grim,...
There’s a moment in writer/co-director, Jonathan Brown’s,...
Woman of the Hour, Netflix review - gripping drama follows a...
“I knew he was risky, but like fuck it, everyone’s risky.” A young woman (Kelley Jakle) poses for pictures on a deserted mountain road in Wyoming...