fri 29/03/2024

Thomas H Green

Thomas H. Green's picture
Bio
Thomas writes regularly for the Daily Telegraph and Mixmag. He has been a consistent presence in the UK dance music media since the mid-Nineties and has also written more broadly about music and the arts elsewhere. He has written one book, Rock Shrines, with another on the way. An ageing raver, he’s still occasionally to be found in nightclubs as dawn approaches.

Articles By Thomas H Green

theartsdesk on Vinyl 77: Scuba, Dannii Minogue, Tito Puente, ABBA, The Undertones, Oracle Sisters and more

Read more...

Album: Noel Gallagher's High Flying Birds - Council Skies

Read more...

Album: Kesha - Gag Order

Read more...

The Great Escape Festival 2023, Brighton review - a vibrant dip into Day One

Read more...

Gravity & Other Myths: Out of Chaos, Brighton Festival 2023 review - eye-boggling acrobatics

Read more...

Album: Steve Mac - Bless This Acid House

Read more...

Panda Bear & Sonic Boom, Komedia, Brighton review - a delightfully woozy head-trip

Read more...

Album: The Damned - Darkadelic

Read more...

Album: Everything But The Girl - Fuse

Read more...

theartsdesk on Vinyl: Record Store Day Special 2023

Read more...

theartsdesk on Vinyl 76: Elton John, Pharoah Sanders, Hellripper, Jah Wobble, T-Rex and more

Read more...

Album: The Selecter - Human Algebra

Read more...

Orbital, Brighton Centre review - a solid hands-in-the-air night out

Read more...

Album: Ellie Goulding - Higher Than Heaven

Read more...

Inspiral Carpets, Concorde 2, Brighton review - a raucous catalogue of Madchester-era hits

Read more...

Nick Mulvey, Chalk, Brighton review - cult star shines bright

Read more...

Pages

latest in today

MJ the Musical, Prince Edward Theatre review - glitzy jukebo...

In a secret chamber somewhere, the producers of ...

Annie Jacobsen: Nuclear War: A Scenario review - on the inco...

"[A]n unimaginably beautiful day": this was how Kikue Shiota described the morning of the 6th of August, 1945, in Hiroshima. The day was soon to...

The Dream of a Ridiculous Man, Marylebone Theatre review - f...

Like all great literature, Fyodor Dostoevsky’s final, eccentric, playfully wondrous short story seems to have been written just for us – across...

Bach's Easter Oratorio, OAE, Whelan, QEH review - the j...

Waiting, and hoping, may prove just as intense an experience as the fulfilment of a wish – or of a fear. Bach knew that, and infused his Easter...

Album: Jane Weaver - Love In Constant Spectacle

“Motif,” Love In Constant Spectacle’s fourth track, is the closest Jane Weaver has come in over a decade to the folk influences embraced...

First Person: author-turned-actor Lydia Higman on a play tha...

I first read Anne Gunter’s story about five years ago, when I was in my first year of university at Oxford, little knowing it would over time lead...

The Origin of Evil review - Laure Calamy stars in gripping F...

A young woman (Laure Calamy; Call my Agent!; Full Time; Her Way) is trying to pluck up the courage to call her...

Foam, Finborough Theatre review - fascism and f*cking in a G...

In a too brightly tiled Gentlemen’s public convenience (Nitin Parmar’s beautifully realised set is as much a character as any of the men we meet...

Album: Ride - Interplay

What a time to be alive it is for fans of late Eighties, early Nineties ...