Saskia Baron
Articles By Saskia Baron
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Hamlet Hail to the Thief, RSC, Stratford review - Radiohead...
The safe transfer of power in post-war Western democracies was once a given. The homely Pickfords Removals van outside Number Ten...
Rachel Jones: Gated Canyons, Dulwich Picture Gallery review...
I first came across Rachel Jones in 2021 at the Hayward Gallery’s painting show Mixing it Up: Painting Today. I was blown away by the...
Album: The Young Gods - Appear Disappear
Swiss electro-rockers, Young Gods have been around for 40 years, but this in no way should suggest that they’ve gone soft in their old age. These...
Jane Austen Wrecked My Life review - persuading us that the...
Do the French do irony? Well, was Astérix a Gaul? Obviously they do, and do it pretty well to judge by many of their movies down the...
The King of Pangea, King's Head Theatre review - grief...
There’s an old theatre joke. “The electric chair is too good for a monster like that. They should send him out of town with a new...
Album: Sam Binga - Sam Binga Presents Club Orthodontics
When I was writing the introduction to my book, Bass, Mids, Tops: An Oral History of Soundsystem Culture, I came up with a phrase, which...
Yoshitomo Nara, Hayward Gallery review - sickeningly cute ki...
It’s been a long time since an exhibition made me feel physically sick. The Hayward Gallery is currently hosting a retrospective of the...
Hespèrion XXI, Savall, QEH review - an evening filled with l...
For the first encore of the evening, it was not just the audience but the whole ensemble of Hespèrion XXI that was mesmerised as its leader,...
Album: Neil Young & the Chrome Hearts - Talkin' to...
When Neil Young releases a new album, you can be reasonably sure that you’ll get either a disc of melancholy singer-songwriter fare or a set of...