sat 07/06/2025

Nick Hasted

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Bio
Nick Hasted has been a film journalist since 1986. As well as The Arts Desk, he currently writes about film, music, books and comics for The Independent, Uncut, Jazzwise and Classic Rock. He has published three books: The Dark Story of Eminem (2002), You Really Got Me: The Story of The Kinks (2011), and Jack White: How He Built An Empire From The Blues (2016).

Articles By Nick Hasted

We Are What We Are

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Grudge Match

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DVD: 1944: The Final Defence

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Oh Boy

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The Railway Man

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Mandela: Long Walk to Freedom

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Last Vegas

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DVD: Kelly + Victor

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DVD: Child's Pose

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theartsdesk in Berlin: the 26th European Film Awards

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Big Bad Wolves

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DVD: Clochemerle

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Dom Hemingway

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In Fear

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Drinking Buddies

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DVD: Schalcken the Painter

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latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Ballerina review - hollow point

John Wick’s simple story of a man and his dog became a bonkers, baroque franchise in record time, converting Keanu Reeves’ limited acting into Zen...

Caroline, Islington Assembly Hall review - south London octe...

In 2022 I called caroline “perhaps the best band in the U.K” in my article about their debut, which I named my album of the year....

theartsdesk in Fes - world music central

With WOMAD not happening this year, where could one go for a feast of...

Songhoy Blues, Hare & Hounds, Birmingham review - West A...

No-one needs to be living in Trump’s USA to be aware that governments never feel that it’s in their interest to prioritise great art and music...

Album: Pulp - More

While the Gallagher brothers scrabble around in the dirt for their rich pickings, an altogether more...

Goebbels and the Führer review - behind the scenes from the...

“Do you know the name of the propaganda minister of England, or America, or even Stalin? No. But Joseph Goebbels? Everyone knows him.” The cynical...

Album: Turnstile - NEVER ENOUGH

Turnstile’s NEVER ENOUGH is a vibrant, shape-shifting album that proves the Baltimore-based band is fully committed to evolution. Since...

Fiddler on the Roof, Barbican review - lean, muscular delive...

It’s always a risk when a production changes venue. In the curious alchemy of live performance, no-one can be sure whether a shift in surroundings...