Mark Pappenheim
Bio
Mark was arts editor and music critic of the Independent and has written on music for the Daily Telegraph, Evening Standard, Daily Express, BBC Music Magazine, Classic FM Magazine and Opera magazine among others. He has been editorial consultant to the BBC Proms since 1998 and edited programmes for Glyndebourne, WNO, the Barbican and the Brighton Festival.
Articles By Mark Pappenheim
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
theartsdesk Q&A: Zoë Telford on playing a stressed-out p...
If you compiled a list of favourite TV series from the last couple of decades, you’d find that Zoë Telford has appeared in most of them. The...
E.1027- Eileen Gray and the House by the Sea review - dull d...
It’s hard to say who is going to enjoy E.1027 – Eileen Gray and the House by the Sea. Admirers of the modernist designer-architect will...
Album: Rico Nasty - LETHAL
Rico Nasty’s new album LETHAL signals a shift in direction, but whether it is a bold evolution or a step towards something less distinct...
The Marching Band review - what's the French for '...
In Emmanuel Courcol’s drama The Marching Band (En Fanfare in French, and also released as My Brother's Band), a...
Lucy Farrell, Catherine MacLellan, The Green Note review - s...
Lucy Farrell, one quarter of the brilliant, award-winning Anglo-Scots band Furrow Collective, and a solo artist whose stunning debut album, We...
1536, Almeida Theatre review - fast and furious portrayal of...
Ava Pickett’s award-winning début play, 1536, is a foul-mouthed, furious, frenetically funny ride through the lives of three young women...
The Comedy About Spies, Noel Coward Theatre review - 'G...
From the creative team that brought you The Play That Goes Wrong in 2012 (and assorted sequels) comes this spy caper. As ever...
Album: Billy Nomates - Metalhorse
Metalhorse is a concept album that uses visions of a dilapidated funfair as a metaphor for life’s various ups and downs. It especially...
House of Games, Hampstead Theatre review - adapted Mamet scr...
There is so much that is right about Jonathan Kent’s new production of House of Games – the casting, the staging, the...