sun 19/10/2025

Guy Oddy

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Articles By Guy Oddy

Napalm Death, O2 Institute, Birmingham review - the Grindcore progenitors hit the spot

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Album: Elephant Stone - Hollow

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Asking For It, Birmingham Repertory Theatre review - victim-blaming and abuse in small town Ireland

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Slipknot, Arena Birmingham review – Iowa metal-heads tear the roof off

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Album: Black Lips - Sing In A World That’s Falling Apart

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Album: Las Cobras - Selva

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Albums of the Year 2019: Imperial Wax - Gastwerk Saboteurs

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Dinosaur Pile-Up, O2 Institute, Birmingham review - grungy punk poppers end the weekend on a high

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CD: Rob Halford - Celestial

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CD: 10.000 Russos - Kompromat

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Vampire Weekend, O2 Academy, Birmingham review – clean-cut Americans fail to ignite

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CD: Land of Kush - Sand Enigma

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Sunn O))), The Crossing, Birmingham review – ambient metallists bring the noise

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CD: Underworld - DRIFT Series 1

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Black Flag, The Mill, Birmingham review – hardcore punk originators come up trumps

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CD: Lightning Bolt - Sonic Citadel

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The Free Association launch review - strong start for improv...

It’s always good to welcome the opening of a new arts venue, and sadly it doesn’t happen too often in the current economic climate. But...

Anja Mittermüller, Richard Fu, Wigmore Hall review - a glori...

Helping to build the careers of superb young singers is what Wigmore Hall has done for decades: I still remember Olaf Bär’s debut in the hall...

Music Reissues Weekly: Evie Sands - I Can’t Let Go

Over 1965 to 1968 Brooklyn's Evie Sands issued a string of singles with classic top sides. Amongst them were “Take Me For a Little While,” “I Can'...

First Person: clarinettist Oliver Pashley on the new horizon...

“Why the name?” and “Why the instruments?” are the two most common things we get asked about our group. As a member of The Hermes...

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Anxiety and self-doubt have been constant themes for Kevin Parker, the Australian musician who now finds himself among the highest echelons of...