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Fisun Güner

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Bio
Fisun is an art critic and writer and is the visual arts editor of theartsdesk. Her art writing has appeared in a range of publications, including The Spectator's Culture House blog, The Independent, Metro, The Evening Standard, New Statesman and Standpoint. You can follow her on Twitter @FisunGuner

Articles By Fisun Güner

theartsdesk Q&A: Psychoanalyst Adam Phillips

Saturday, 17 April 2010 Read more...

Goldsmiths: But is it Art? BBC Four

Tuesday, 13 April 2010 Read more...

Anthony Caro: Upright Sculptures, Annely Juda

Monday, 12 April 2010 Read more...

Angela de la Cruz/ Anna Maria Maiolino, Camden Arts Centre

Friday, 02 April 2010 Read more...

Nightwatching

Friday, 26 March 2010 Read more...

Quilts 1700-2010, Victoria & Albert Museum

Wednesday, 24 March 2010 Read more...

Richard Hamilton: Modern Moral Matters, Serpentine Gallery

Thursday, 18 March 2010 Read more...

Billy Childish: Unknowable but Certain, ICA

Thursday, 11 March 2010 Read more...

Ron Arad: Restless, Barbican Gallery

Tuesday, 23 February 2010 Read more...

Arshile Gorky: A Retrospective, Tate Modern

Friday, 12 February 2010 Read more...

Van Doesburg and the International Avant-Garde: Constructing a New World, Tate Modern

Monday, 08 February 2010 Read more...

Michael Landy: Art Bin, South London Gallery

Monday, 01 February 2010 Read more...

The Real Van Gogh: The Artist and His Letters, Royal Academy

Friday, 22 January 2010 Read more...

On the Move: Visualising Action, Estorick Collection

Sunday, 17 January 2010 Read more...

Princes William and Harry Portrait, National Portrait Gallery

Friday, 08 January 2010 Read more...

Art 2009: Best and Worst

Wednesday, 30 December 2009 Read more...

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latest in today

'We are bowled over!' Thank you for your messages... ...
Coldwater, ITV1 review - horror and black comedy in the High...

Scripted by Belfast-born playwright David Ireland...

Jansen, LSO, Pappano, Barbican review - profound and bracing...

Antonio Pappano and the London Symphony Orchestra last seared us in Britten’s amazing Violin Concerto, with Vilde Frang as soloist, on the very...

Jakub Hrůša and Friends in Concert, Royal Opera review - fle...

Between bouts of that far from shabby, still shocking masterpiece Tosca, Royal Opera music director Jakub Hrůša ...

The Weir, Harold Pinter Theatre review - evasive fantasy, bl...

Why are the Irish such good storytellers? The historical perspective is that the oral tradition goes way, way back, allied to the gift of the gab...

Hadelich, BBC Philharmonic, Storgårds, Bridgewater Hall, Man...

Concerts need to have themes, it seems, today, and the BBC Philharmonic’s publicity suggested two contrasting ideas for the opening of its 2025-26...

Album: Mulatu Astatke - Mulatu Plays Mulatu

The tour by the 81-year-old Mulatu Astatke which is currently under way and this album seem to be giving off different...

Music Reissues Weekly: Sly and the Family Stone - The First...

The remarkable The First Family: Live At Winchester Cathedral 1967 represents the first-ever release of a previously...

Monteverdi Choir, ORR, Heras-Casado, St Martin-in-the-Fields...

35 years ago, persona-now-non-grata John Eliot Gardiner revealed how performances of Mozart’s Idomeneo and La Clemenza di Tito...

Dracula, Lyric Hammersmith review - hit-and-miss recasting o...

If a classic story is going to be told for the umpteenth time, there is a good bet it will come with a novel spin on it. So it proves...