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Carole Woddis

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Bio
Carole Woddis has been a theatre journalist for more than 20 years. She was London theatre critic for The Herald (Glasgow) for over a decade and has written for many national and arts based publications. She has also published three books on theatre and taught Journalism to adults at both Goldsmiths and City Universities.

Articles By Carole Woddis

Matilda the Musical, Cambridge Theatre

Friday, 25 November 2011 Read more...

Reasons to be Pretty, Almeida Theatre

Friday, 18 November 2011 Read more...

Sixty-Six Books, Bush Theatre

Monday, 17 October 2011 Read more...

This Is Where We Got To When You Came In, Bush Theatre

Sunday, 18 September 2011 Read more...

The Tempest, Little Angel Theatre/ Royal Shakespeare Company

Saturday, 23 April 2011 Read more...

Lakeboat/ Prairie du Chien, Arcola Theatre Studio 2

Sunday, 17 April 2011 Read more...

WOW – Women of the World, Southbank Centre

Monday, 14 March 2011 Read more...

Antonioni Project, Barbican Theatre

Wednesday, 02 February 2011 Read more...

Opinion: 'Internalised' acting is a complete turn-off

Monday, 17 January 2011 Read more...

Ivona, Princess of Burgundia, Network Theatre

Sunday, 09 January 2011 Read more...

Bah Humbug: Judi Dench - the greatest stage actor ever?

Monday, 20 December 2010 Read more...

Inside, Studio Theatre, Roundhouse

Tuesday, 16 November 2010 Read more...

Charged 1 & 2, Soho Theatre

Sunday, 14 November 2010 Read more...

A Festival of Brian Friel, The Curve, Leicester

Saturday, 13 November 2010 Read more...

Palace of the End, Arcola Studio 2, London

Thursday, 28 October 2010 Read more...

Birdsong, Comedy Theatre

Wednesday, 29 September 2010 Read more...

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latest in today

'We are bowled over!' Thank you for your messages... ...
Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...

Ithell Colquhoun, Tate Britain review - revelations of a wei...

Tate Britain is currently offering two exhibitions...

Sarah Silverman, Netflix Special review - finding the funny...

Death can be a powerful driver for comedy...

Blu-ray: Darling

A look at Darling on its 60th anniversary offers a sobering reality check on the "...

Pulp, O2 Arena review - common people like us

Jarvis Cocker is proudly holding the No 1 trophy handed to him on the day Pulp topped the album chart for the first time in 27 years with More...

Mazeppa, Grange Park Opera review - a gripping reassessment

Tchaikovsky has precisely two operas in the standard repertoire (including The Queen of Spades, currently playing at Garsington), and...