world music
Soweto Kinch, Jazz Cafe review - instant karma in CamdenWednesday, 19 June 2019
Camden’s Jazz Cafe reverberated to the sounds of a 50-year-old spiritual jazz classic last night, as saxist and MC Soweto Kinch and his quintet paid fulsome homage to NEA Jazz Master Pharoah Sanders’ consciousness-expanding album, Karma.Recorded in... Read more... |
Milton Nascimento, Barbican review – besotted audience hails frail legendWednesday, 19 June 2019
Milton Nascimento is 76. Physically, he is quite frail; he had to be helped carefully onto the stage and then up into a high stool for this London concert by a couple of band members. But that arrival and rather ungainly progress were, as one might... Read more... |
The Mystery of the Bulgarian Voices with Lisa Gerrard, Queen Elizabeth Hall review - voices from another worldSaturday, 08 June 2019
A hushed expectation filled the Queen Elizabeth Hall on Friday night in advance of the return on stage of the legendary Le Mystère des Voix Bulgares (now rebranded as The Mystery of the Bulgarian Voices), who graced Kate Bush’s 1989 classic The... Read more... |
theartsdesk on Vinyl 49 - Part 2: Prince, Johnny Cash, Sparks, Toyah, Adrian Sherwood and moreSaturday, 18 May 2019
We return, after only a week away, with Part 2 of Volume 49. Starting out with an amazing comeback from Adrian Sherwood’s Pay It All Back compilation series as Vinyl of the Month, this edition takes in everything from Prince to death metal to... Read more... |
Sergio Mendes, RFH review - tight discipline, exceptional musicianshipTuesday, 07 May 2019
The last time Sergio Mendes, the Brazilian bossa nova legend, played at the Royal Festival Hall was in 1980 when he opened for Frank Sinatra. He shakes his head in wonder at the memory, though it’s not so long ago in the scheme of things – his... Read more... |
Rokia Traoré: Né So, Brighton Festival review - an Afro-psychedelic head-fryMonday, 06 May 2019
The last thing many were expecting from Rokia Traoré’s opening appearance at this year’s Brighton Festival was an Afro-psychedelic head-fry, yet she and her four-piece band prove thoroughly capable of swirling our minds right off out of it. When she... Read more... |
10 Questions for Musician Soumik DattaTuesday, 30 April 2019
“I think we need to get rid of labels, certainly World Music,” insists Soumik Datta, who is both composer and musician, and has lived in the UK since the age of 11. “It is possible to be a musician in the Indian tradition, as well as an electronic... Read more... |
Bebel Gilberto, Union Chapel review - less effort, more transcendence, pleaseTuesday, 16 April 2019
How do we want our fleeting, precious, close-up glimpses of the royals to be? Do we want the mystique, the aura, glamour and transcendence? Or would we rather be reassured that they are, in their way, just like us? No performer could have given more... Read more... |
Oumou Sangaré, Earth review - the new Mama Africa takes her crownSaturday, 13 April 2019
Oumou Sangaré is not a woman to be trifled with – tales of people who have crossed her and lived to regret it abound: one story (of many) has her personally hiring a bulldozer in a land dispute and getting a recalcitrant local official sacked. She... Read more... |
theartsdesk in Lisbon: Aga Khan Music AwardsWednesday, 03 April 2019
The inaugural Aga Khan Music Awards, a three-day event held last weekend in Lisbon, celebrated nearly 20 years of wide-ranging work dedicated to the preservation of ancient and threatened cultures, an impressive programme of educational initiatives... Read more... |
Loreena McKennitt, Royal Albert Hall review - making Celtic connectionsFriday, 15 March 2019
Having long been immersed in folk and world music and acoustically-oriented singer-songwriters, it’s a surprise to be given a CD of music by someone who’s never crossed your radar, especially when the artist concerned turns out to have sold some 14... Read more... |
CD: Que Vola - Que VolaFriday, 25 January 2019
Great music is often born of “what if”s. What if we played Beach Boys-style songs lo-fi, loud, at high velocity? What if we played indie guitar with a hint of Congolese rumba? What if we added a string section to late-Sixties pop-rock? What if we... Read more... |
