sun 02/11/2025

Visual arts

Carey Young: Appearance, Modern Art Oxford review - in the eyes of the law

A visitor to the city wishes to gain access to the law, but a gatekeeper blocks his entrance. The man petitions this imposing figure, who is only one of a series of legal bouncers. He is told there is gate after gate. He sits, he waits, he lies down...

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Matter as Actor, Lisson Gallery review - living in a material world

It is fitting that I watch Otobong Nkanga’s performance on a stranger’s smartphone screen. Solid Maneuvers, 2015, is about the extraction of precious resources from the Namibian landscape. It is about the long-term devastation humans...

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Moon Is the Oldest TV review - a fitting tribute to a visionary modern artist

Who created the term “electronic superhighway”? First described a system of linked communication that would become the internet? Envisioned a multichannel TV system where viewers chose for themselves what to tune into? Watch Amanda Kim’s excellent...

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Sarah Sze: Metronome, Artangel at Peckham Rye station review - an installation of visual complexity and physical simplicity

One of the great things about Artangel is the interesting sites which they seek out for the artworks they commission. The latest find is the disused waiting room at Peckham Rye station, a once gracious space with a vaulted ceiling, arched windows...

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Isaac Julien: What Freedom is to Me, Tate Britain review - a journey from making documentaries to making art

Isaac Julien was a student at St Martin’s School of Art when the Brixton riots broke out. Black youths took to the streets, frustrated by high rates of unemployment, police harassment, far-right intimidation and media hostility, and all hell was let...

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Hilma af Klint & Piet Mondrian: Forms of Life, Tate Modern review - the hidden depths of abstract art revealed

In this juxtaposition of Piet Mondrian, a world famous modernist, and Hilma af Klint, a little known Swedish painter, guess who knocks your socks off ! This fascinating show is a delight and a revelation, because it declares the spiritualist...

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Grenfell by Steve McQueen, Serpentine Gallery review - a stirring memorial for the tower block inferno

The fire which engulfed Grenfell Tower in London’s North Kensington on 14 June, 2017, with a death toll of 72, is still under investigation. The dead were largely recent immigrants to the UK. The tragedy, it’s clear now, was caused by an unholy...

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Earth Spells: Witches of the Anthropocene, RAMM, Exeter review - this local exhibition deserves a national audience

In the centre of a Venn diagram linking climate change to the mystic landscape of Dartmoor and the West Country, sits this tightly conceived show about "green" witchcraft in contemporary art. Witches were once very common in this part of the world;...

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Ai Weiwei: Making Sense, Design Museum review - a deep sense of loss permeates this show

Chinese artist, Ai Weiwei has created an extremely beautiful installation at the Design Museum in which the disparate elements play their part in creating a powerful overall message. On one level the exhibition is about design, but it also...

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Berthe Morisot: Shaping Impressionism, Dulwich Picture Gallery review - lightning speed brushwork by an Impressionist maestro

When Berthe Morisot organised the first Impressionist exhibition in 1874, along with Monet, Degas, Renoir and co, she’d already exhibited at the Paris Salon for a decade – since she was 23. That’s not bad for someone refused entry to art school...

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After Impressionism: Inventing Modern Art, National Gallery review - an impressive tour de force

What a feast! Congratulations are due to the National Gallery for its latest blockbuster After Impressionism: Inventing Modern Art. Such a superb collection of modern masters is unlikely to be assembled again under one roof, so this is a once-in-a-...

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Wilhelmina Barns-Graham: Paths to Abstraction, Hatton Gallery, Newcastle review - secret worlds revealed

A small cottage vanishes into a surrounding bay, its walls apparitional against pale waters. In the background, a pier juts out into the ocean, equidistant to sea-green hills and a brown strip of land. The tide gently meets the shoreline, white on...

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