wed 02/04/2025

Visual arts

When Forms Come Alive, Hayward Gallery review - how to reduce good art to family fun

Under the guidance of director Ralph Rugoff, the Hayward Gallery seems hell bent on reducing art to the level of fun for all the family. And as though to prove the point, cretinous captions strip the work of all meaning beyond the banal, while press...

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Entangled Pasts 1768-now, Royal Academy review - an institution exploring its racist past

In Titian’s painting Diana and Actaeon,1559, a cluster of naked beauties bathes beside a stream. Scarcely visible in the right hand corner is a black woman helping the goddess hide her nudity from Acteon who has stumbled into her private glade. The...

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Barbara Kruger, Serpentine Gallery review - clever, funny and chilling installations

American artist Barbara Kruger started out as a graphic designer working in advertising, and it shows. Her sharp design skills and acute visual intelligence now produce funny, clever and thought provoking installations in which words and pictures...

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Richard Dorment: Warhol After Warhol review - beyond criticism

2023 was a good year for Andy Warhol post-mortems: after Nicole Flattery’s Nothing Special, after Alexandra Auder’s Don’t Call Home, Richard Dorment’s Warhol After Warhol.Their publication journeys undoubtedly benefitted from the value Anglophone...

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Dineo Seshee Raisibe Bopape: (ka) pheko ye / the dream to come, Kiasma, Helsinki review - psychic archaeology

Rosemary, heather and hops. These are just a few of the ingredients included in a special blend of herbal tea created by artist, Dineo Seshee Raisibe Bopape. Subtle yet deep in flavour, the amber coloured tea has a calming, if not soporific and...

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Paul Cocksedge: Coalescence, Old Royal Naval College review - all that glitters

"Beautiful outside, unmissable inside" is the is the new tagline for the Old Royal Naval College, Greenwich. If the restoration of James Thornhill’s painted hall wasn’t enough to prompt a journey on the Thames Clipper, Paul Cocksedge’s installation...

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Issy Wood, Study for No, Lafayette Anticipations, Paris review - too close for comfort?

To take a trip into the world of Issy Wood is to be embraced by paradox. A richness of imagery that can at time shock with its blandness and at others seduce with a sense of wonder; a perfectly accomplished surface that reveals, with familiarity, a...

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Mark Rothko, Fondation Louis Vuitton, Paris review - a show well worth the trip across the Channel

The vast and various spaces of Frank Gehry’s monumental Fondation Louis Vuitton in Paris suit the needs of the thrilling Mark Rothko exhibition now inhabiting its labyrinthine multi-storey suite of galleries.Some of the 115 works on display require...

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Women in Revolt!, Tate Britain review - a super important if overwhelming show

The soundtrack to Tate Britain’s seminal exhibition Women in Revolt! is a prolonged scream. On film, Gina Birch of the punk band The Raincoats gives vent to her pent-up anger and frustration by yelling at the top of her lungs for 3 minutes (...

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A World in Common: Contemporary African Photography, Tate Modern review - pulling out the stops to address issues around cultural identity

The introductory panel to Tate Modern's exhibition of photography, film and installation contains some stark facts that remind us of the history informing the work of these 36 African artists. Some 10 million Africans were sold into slavery and by...

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El Anatsui: Behind the Red Moon, Tate Modern review - glorious creations

The enormous volume of Tate Modern’s Turbine Hall has overwhelmed many of those invited to exhibit there, but Ghanaian artist El Anatsui responded to the challenge with magnificent hangings that tame the huge, industrial space.Made from thousands of...

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RE/SISTERS: A Lens on Gender and Ecology, Barbican review - women fighting to protect the environment

RE/SISTERS is a show about the brave women who’ve been fighting to protect our planet and the artists whose work – mainly in film and photography – is, in itself, a form of protest. The opening section, Extractive Economics demonstrates the problem...

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