Visual arts
Artists in Amsterdam, Dulwich Picture Gallery review - a slight but evocative sketchWednesday, 28 August 2019
Done well, a one-room exhibition can be the very best sort, a small selection of paintings allowing the focused exploration of a single topic without the diluting effect of multiple rooms and objects. In this respect, Artists in Amsterdam rather... Read more... |
Edinburgh Festival 2019 reviews: Below the Blanket / Samson Young: Real MusicTuesday, 06 August 2019
Below the Blanket ★★★★ There’s a deep vein of melancholy running through Glasgow producing house Cryptic’s promenade installation Below the Blanket, which currently occupies several sites across Edinburgh’s Royal Botanic Garden.... Read more... |
Black Sabbath: 50 years, Birmingham Museum and Art Gallery review – not heavy goingFriday, 02 August 2019
The well-spring of certain musical genres and hometowns of certain influential musicians have long been a source of civic pride – and a boost to the tourist industry – in many clued-in parts of the world. One only has to think of the co-opting of... Read more... |
Helen Schjerfbeck, Royal Academy review - watchful absences and disappearing peopleMonday, 22 July 2019
Light creeps under the church door. Entering as a slice of burning white, it softens and blues into the stone interior, seeming to make the walls glow from the inside. Beneath the lintel, a milder slot of sun pours upwards. To the right, a... Read more... |
Beuys' Acorns, Bloomberg Arcade London review – not much to look at, but important all the sameFriday, 19 July 2019
The City of London is an ecological disaster. Around Bank, Mansion House and Cannon Street there’s scarcely a green leaf to be seen. Glass, steel, concrete and tarmac create an environment that excludes plant life, birds and insects and is... Read more... |
Yorkshire Sculpture International review - Hepworth and Moore loom largeThursday, 18 July 2019
Sculpture is as much a part of Yorkshire as cricket and a decent cup of tea, with the “sculpture triangle”, comprising four prestigious museums and galleries, feeling almost as well-established as the county’s famed rhubarb triangle. Now the... Read more... |
Olafur Eliasson: In Real Life, Tate Modern review – beautiful ideas badly installedSaturday, 13 July 2019
At their best, Olafur Eliasson’s installations change the way you see, think and feel. Who would have guessed, for instance, that Londoners would take off their togs to bask in the glow of an artificial sun at Tate Modern. That was in 2003, when The... Read more... |
Takis, Tate Modern review - science and art collideFriday, 12 July 2019
Half organic, half high-tech, a bank of magnet-flowers sways not in response to a breeze, but to a magnetic field. Their uncannily naturalistic movements are coupled with a form that is blatantly functional: an unseen, elemental force masquerades as... Read more... |
Les Rencontres d’Arles 2019 review - strength in traditionThursday, 11 July 2019
With 50 curated exhibitions spread across the town, there is much to see at Arles. In an effort to whittle it down I asked the man in the press office what was hot. "The weather," he replied deadpan.For this feast we have to thank Lucien Clergue,... Read more... |
BP Portrait Award 2019, National Portrait Gallery review - a story for everyoneWednesday, 10 July 2019
Once a year, the National Portrait Gallery gives us a slice of immediate social history presented in an array of contemporary painted portraits of the young, the old, and the inbetween. In its 40th iteration the international competition 44... Read more... |
theartsdesk in Treviso - cultural patronage, Italian styleFriday, 05 July 2019
Fortunate those Italian towns and cities whose Renaissance rulers looked to the arts to enrich their domain. Now neglect of cultural heritage can be laid at the doors of successive governments, but regional enlightenment can make a difference even... Read more... |
Never Look Away review - the healing potential of artWednesday, 03 July 2019
Florian Henckel von Donnersmarck, who made his reputation as a leading German film-maker with The Lives of Others (2006), told the New Yorker that his latest film sprang out of a desire to explore the relationship between making art and healing.... Read more... |
