sat 08/03/2025

violence

Random Acts of Violence review - study in horror lacks scares

The debate about whether violent films cause violent acts has been around for decades. From Mary Whitehouse’s puritanical crusade against films such as The Exorcist, to recent movies like Joker, pundits, columnists and even psychiatrists...

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Infamous review - Bonnie and Clyde for the digital age fails to deliver

Like a sub-par Natural Born Killers for Gen Z, director-screenwriter Joshua Caldwell’s latest film, featuring Disney-child-star-turned-porn-director Bella Thorne, tackles the perils of social media like a parent trying to navigate TikTok....

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Good Manners review - compellingly eerie

Stylish, eerie and unexpectedly moving by the time of its apocalyptic finish, the strangely titled Good Manners makes for a genuine celluloid surprise. Written and directed by Juliana Rojas and Marco Dutra, this genre-defying Brazilian...

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The Old Guard review - serious silliness

It’s hard to take The Old Guard seriously — it’s an action film about thousand-year-old immortal warriors. Pulpy flashbacks and fake blood abounds. But The Old Guard doesn’t need to be serious or even memorable: it’s a fun, feel-good film, a rare...

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The Last Full Measure review - exceptional performances elevate middling Vietnam war drama

It’s impossible to deny the sincerity with which Todd Robinson has approached the true story of William H. Pitsenbarger, a US Air Force Pararescueman who was killed in action while rescuing over 60 injured soldiers during one of the bloodiest...

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Marieke Lucas Rijneveld: The Discomfort of Evening review - lovelessness, loneliness, bodies and their limits

“I was ten and stopped taking off my coat.” This bare beginning marks the opening of Marieke Lucas Rijneveld’s startling and lyrical novel, translated from the Dutch by Michele Hutchison: an introduction to ten-year-old Jas and the dislocated world...

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Cuck review - tediously nihilistic

Deep from the heart of Trumpland comes Cuck, a deeply unpleasant film about a totally repellent character. Directed and co-written by Rob Lambert, the film opened simultaneously last autumn in the States with Joker, with which it shares an...

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Run, Sky Comedy review - vicarious thrills for the self-isolation era

Watching Run, HBO’s newest seven-part series, feels like off-the-rails escapism: it’s a fast-paced thriller about dropping everything, chasing intimacy and courting danger. It’s a vicarious adventure centred on a woman who has spent too long stuck...

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Cyprus Avenue, Royal Court Theatre online review - a mind in mesmerising meltdown

One of the most blistering stage performances in recent memory gets a renewed lease on life with the streaming of the 2019 screen version, aired last autumn on BBC Four, of Cyprus Avenue, the David Ireland play in which Stephen Rea unravels to...

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The Platform review - timely, violent and effective

Horror has always been a good vehicle for satire, from John Carpenter’s They Live to Jordan Peele’s Get Out. Some metaphors opt for the subtle precision of a surgical knife, and others the hit you over the head. The Platform on Netflix is the latter...

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Bacurau review – way-out western

After his two mysterious, tightly-coiled and idiosyncratic first features, Neighbouring Sounds and Aquarius, the masterful Brazilian director Kleber Mendonça Filho lets his hair down with an exhilarating, all-guns-blazing...

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System Crasher review – a compelling portrait of childhood violence and pain

Benni, the central character in German writer-director Nora Fingscheidt's haunting new film, has a life of tragedy and violence. She’s the product of a dysfunctional family and an abusive childhood that has left her rage-ridden and incapable of...

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