sat 26/04/2025

Vienna

CBSO, Nelsons, Symphony Hall, Birmingham

Andris Nelsons: Highly gestural but everything comes from the score

Mahler cycles in his centenary year are about as predictable as dead leaves in autumn. But they perhaps belong more in Birmingham than in some other cities. Mahler, after all, was a big factor in making Simon Rattle’s name, and Rattle was a big...

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Rameau's Castor et Pollux, Theater an der Wien

For us Ramistes the brilliance came as no surprise. But did the genius come across to the uninitiated? This new production of Castor et Pollux, one of Rameau's finest tragédie en musique, was the Baroque composer's Austrian stage premiere....

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Seduction: An Erotic Black Comedy, Above the Stag Theatre

Show a little tenderness: Simon Boughey as the Movie Producer and Stanley Eldridge as the Rent Boy in the final scene of Seduction

Have you ever found onstage nudity sexy? Unlike a friend of mine, for whom the epiphany of the National Theatre's Bent was the giant member in the first five minutes, I honestly haven't. Sensuous, once, in the Maly Theatre's skinny-dipping Platonov...

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The Merry Widow, Opera North

It’s such a pity that the more striking elements in Franz Lehár’s orchestration are heard so fleetingly, such as the tiny glints of cimbalon which give the best parts of the score an authentic bohemian - or Pontevedran - flavour. But too often the...

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Zacharias, BBC Philharmonic, Sinaisky, Royal Albert Hall

Christian Zacharias 'is above all a great original at the piano, a great refashioner of phrases, a great chiseler, chipping away at old chintzy bad habits'

The Proms listings are full of concerts a bit like the one last night that seem to offer up, on paper, little of real burning interest: no big names, no star foreign orchestras, no intriguing rarities, no new works, nothing beyond one hard-working...

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Zaide, Sadler's Wells

The story starts promisingly with a love story between a prisoner Gomatz and Zaide, the favourite concubine of the tyrant Soliman. The two lovers escape with the help of Allazim. They are re-captured. Then Mozart gave up. His sources for the story,...

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Paradise Found, Menier Chocolate Factory

There's bizarre, and then there's Paradise Found, a new musical that falls so short of the not always clearly defined mark that audiences may likely be mulling over what went wrong for years. What do the two acts have to do with one another? What in...

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Sweet Nothings, Young Vic

Arthur Schnitzler belonged to a culture of inquiry and experiment, in which dreams and desire were crying out to be articulated and delineated; sexual needs were the unexplored stuff of life - how well Vienna painters like Klimt and Schiele knew...

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Interview: Opera and Theatre Director Luc Bondy

Last September Luc Bondy watched his name speed around the world, if not for the most desirable reasons. His Tosca opened the season at the Met, a more grounded, less opulent replacement for one of the opera house’s many much loved productions by...

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Birthdays on the Tube: 7-13 February

This week's birthday musicians include Gene Vincent singing "Be Bop A Lula" in his first TV appearance, Sergio Mendes with "Mas Que Nada", soul balladry from Roberta Flack, Carole King and a couple of composers - Alban Berg and Leopold Godowsky....

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Der Rosenkavalier, Royal Opera

Seeking the snows of yesteryear, I remember a time when John Schlesinger's Covent Garden Rosenkavalier filled every moment of Hugo von Hofmannsthal's rococo libretto and Richard Strauss's jewel-studded score with life and meaning. 25 years on,...

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Pains of Youth, National Theatre

Dateline: Vienna, 1923. In a boarding house, seven young people - most of whom are medical students - find the air of the former Austro-Hungarian Empire’s capital city a heady mix of the sexually invigorating and the morally asphyxiating. At the...

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