terrorism
In The Fade review - twisty German courtroom dramaThursday, 21 June 2018
The Cannes jury in 2017 gave best actress to Diane Kruger for her performance in In the Fade. She plays Katja, who turns avenging angel when her son and Turkish husband are murdered. It’s Kruger’s first acting role in her native German and she’s on... Read more... |
Our Girl, Series 4, BBC One review - 2 Section versus Boko HaramWednesday, 06 June 2018
I’ve never been in the Army, but I can’t imagine anybody involved with the making of Our Girl (BBC One) has either. This fourth series continues the drama’s traditional formula of carting Corporal Georgie Lane (Michelle Keegan) and her fellow-... Read more... |
Manchester: The Night of the Bomb, BBC Two review - devastating account of the lottery of terrorWednesday, 23 May 2018
“I thought she maybe had superpowers to go that high.” Emilia Senior, 12, watched her sister Eve, 15, thrown into the air by the force of the explosion. When Eve came to earth her own perception had tilted on its axis: “I saw my legs on fire,” she... Read more... |
Entebbe review – Seventies hijack drama remains groundedThursday, 10 May 2018
The freeing of a plane-load of hostages by Israeli forces at Entebbe airport in Uganda in 1976 produced an instant spate of movie versions. Raid on Entebbe starred Peter Finch and Charles Bronson, Victory at Entebbe offered gainful employment to... Read more... |
Building the Wall, Park Theatre review - the nature of nightmareSunday, 06 May 2018
Writer Robert Schenkkan’s Building the Wall imagines modern America in the not-too-distant future. The date is 22nd November 2019 and following an attack on Times Square in which 17 people were killed, martial law has been imposed. Demands for... Read more... |
The Deminer review - life on the edge in IraqTuesday, 24 April 2018
Major Fakhir is a deminer, responsible for disarming hundreds of mines around Mosul every week. His American counterparts know him by a different title: Crazy Fakhir, a man who rides the edge of his luck, constantly in imminent danger. Yet to him,... Read more... |
Below the Surface, Series Finale, BBC Four review - tense and twisty to the bitter endSunday, 08 April 2018
In the previous couple of episodes, some light began to seep into the subterranean gloom of the Copenhagen kidnappers, or at any rate onto their identities and motivations. The military theme with which Below the Surface opened, with Philip Norgaard... Read more... |
Below the Surface, BBC Four review - terror in CopenhagenSunday, 11 March 2018
Read Adam Sweeting's review of the Below the Surface FinaleAfter recent experiences with the likes of McMafia, Troy and Collateral, mysteriously moribund affairs apparently designed by a committee of box-ticking zombies, many a viewer will turn with... Read more... |
Strike Back, Series 6 part 2, Sky 1 review - shoot first, talk laterThursday, 01 February 2018
After a mysterious mid-season break which seemed to catch everyone by surprise, Strike Back’s sixth season belatedly bounces noisily back. So far the story has ricocheted around the Middle East before detouring to Hungary, where our indestructible... Read more... |
The Believers Are But Brothers, Bush Theatre review - a gimmick in search of a storySaturday, 27 January 2018
Do boys never leave the playground? Just when I was reasonably sure that the crisis of masculinity was an old-fashioned trope – I mean, so very 1990s – along comes a one-man show that investigates how lonely young men, seething with resentment, surf... Read more... |
Stronger review - Oscar-worthy straight talk and tough loveSaturday, 09 December 2017
There are many obvious Hollywood responses to someone losing their legs in the Boston Marathon bombing. Director David Gordon Green waits his whole film to make one. His subject Jeff Bauman (Jake Gyllenhaal) possessed too little bullshit, and too... Read more... |
Goats, Royal Court review - unfocused and muddledSaturday, 02 December 2017
The civil war in Syria spawns image after image of hell on earth. Staging the stories of that conflict presents a challenge to playwrights: how do you write about horror in a way that is both accurate and entertaining? Goats, by Syrian playwright... Read more... |
