fri 20/12/2024

terrorism

Manchester: The Night of the Bomb, BBC Two review - devastating account of the lottery of terror

“I thought she maybe had superpowers to go that high.” Emilia Senior, 12, watched her sister Eve, 15, thrown into the air by the force of the explosion. When Eve came to earth her own perception had tilted on its axis: “I saw my legs on fire,” she...

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Entebbe review – Seventies hijack drama remains grounded

The freeing of a plane-load of hostages by Israeli forces at Entebbe airport in Uganda in 1976 produced an instant spate of movie versions. Raid on Entebbe starred Peter Finch and Charles Bronson, Victory at Entebbe offered gainful employment to...

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Building the Wall, Park Theatre review - the nature of nightmare

Writer Robert Schenkkan’s Building the Wall imagines modern America in the not-too-distant future. The date is 22nd November 2019 and following an attack on Times Square in which 17 people were killed, martial law has been imposed. Demands for...

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The Deminer review - life on the edge in Iraq

Major Fakhir is a deminer, responsible for disarming hundreds of mines around Mosul every week. His American counterparts know him by a different title: Crazy Fakhir, a man who rides the edge of his luck, constantly in imminent danger. Yet to him,...

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Below the Surface, Series Finale, BBC Four review - tense and twisty to the bitter end

In the previous couple of episodes, some light began to seep into the subterranean gloom of the Copenhagen kidnappers, or at any rate onto their identities and motivations. The military theme with which Below the Surface opened, with Philip Norgaard...

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Below the Surface, BBC Four review - terror in Copenhagen

Read Adam Sweeting's review of the Below the Surface FinaleAfter recent experiences with the likes of McMafia, Troy and Collateral, mysteriously moribund affairs apparently designed by a committee of box-ticking zombies, many a viewer will turn with...

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Strike Back, Series 6 part 2, Sky 1 review - shoot first, talk later

After a mysterious mid-season break which seemed to catch everyone by surprise, Strike Back’s sixth season belatedly bounces noisily back. So far the story has ricocheted around the Middle East before detouring to Hungary, where our indestructible...

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The Believers Are But Brothers, Bush Theatre review - a gimmick in search of a story

Do boys never leave the playground? Just when I was reasonably sure that the crisis of masculinity was an old-fashioned trope – I mean, so very 1990s – along comes a one-man show that investigates how lonely young men, seething with resentment, surf...

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Stronger review - Oscar-worthy straight talk and tough love

There are many obvious Hollywood responses to someone losing their legs in the Boston Marathon bombing. Director David Gordon Green waits his whole film to make one. His subject Jeff Bauman (Jake Gyllenhaal) possessed too little bullshit, and too...

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Goats, Royal Court review - unfocused and muddled

The civil war in Syria spawns image after image of hell on earth. Staging the stories of that conflict presents a challenge to playwrights: how do you write about horror in a way that is both accurate and entertaining? Goats, by Syrian playwright...

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Out from the Darkness: painting out prison

When I was sent to an adult high security prison aged 14 all the normal colour, shapes and movement that I saw around me each and every day as a child disappeared. It wasn’t there. Prison does that; it’s all straight lines, hard on the eye, hard to...

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Age of Terror: Art Since 9/11, Imperial War Museum review - affecting but incoherent

The Imperial War Museum’s Age of Terror: Art since 9/11 brings together art made in response to the immediate events and long-term consequences of the events of 11 September. In the main the exhibition is more historical survey of conflict-related...

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