mon 22/07/2024

site-specific

Many Good Men, Tynecastle Stadium, Edinburgh review - daring but flawed provocation

There’s been an incident in Edinburgh. Right near the Scottish Parliament. Several dead, many more injured. Among the witnesses were two of the capital’s young football stars, now clearly traumatised by what they’ve seen. Someone shouting about...

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1984, Hackney Town Hall review - Room 101 shapeshifts into 2023, but remains as terrifyingly plausible as ever

The day after I saw the show, as went about the mundanities of domestic life, I wondered how long it would take to come across a reference to 1984. My best bet was listening to an LBC phone-in concerning next week’s conference at Bletchley Park on...

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Robin Hood. The Legend. Re-written, Regent's Park Open Air Theatre review - no bullseye for new take on familiar characters

After the pantos, the movies (epic, camp and animated) and the television series, is there anything new to be mined in the story of Robin Hood? Probably not, as this messy, misjudged show takes that hope and fires an arrow through its heart.We’re in...

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Wonderville Magic and Cabaret review - fast-paced show delivers the promised wonder

There’s nothing quite like magic, live, up close and personal. Sure there are the TV spectaculars, the casino resort mega-shows and even The Masked Magician to pull back the curtains, but there’s a frisson in the air when the card that’s in your...

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Edinburgh Fringe 2021: Doppler

There’s always a tricky balance to be struck with site-specific theatre. What’s more important: the show itself, or its unusual setting? And to what extent does its location enrich or even impact on the essence of the text? Edinburgh-based site-...

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Brahms Piano Concertos, Tsoy, Philharmonia, Emelyanychev, Bold Tendencies - rich epic mastery in concrete surroundings

To excel at one massive Brahms piano concerto in a standard concert hall is cause enough for celebration. To master two over one evening in a very unorthodox space – namely, below the roof of Peckham’s former multi-storey car park – brings the...

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C-o-n-t-a-c-t, Musidrama review - a beautifully bonkers promenade

A woman sits on a bench. She’s got a song stuck in her head – she can’t remember how one of the lines ends, so it keeps going round and round. It mingles with birdsong, idle musings on whether birds look down on us (figuratively as well as literally...

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United Queendom, Kensington Palace review - rollicking royal tale

Les Enfants Terribles is the theatre company behind several interesting immersive projects, including Alice's Adventures Underground and Inside Pussy Riot. Now it has joined forces with Historic Royal Palaces to tell the story of two women integral...

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Edinburgh Festival 2019 reviews: Below the Blanket / Samson Young: Real Music

Below the Blanket ★★★★  There’s a deep vein of melancholy running through Glasgow producing house Cryptic’s promenade installation Below the Blanket, which currently occupies several sites across Edinburgh’s Royal Botanic Garden....

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User Not Found, The CoffeeWorks Project review - solo play set in a café offers food for thought

Who is that slithering on the floor by your foot, or coming to rest by or upon your knee? Audiences lucky enough to find themselves at User Not Found, the latest from the ever-enterprising site-specific company Dante or Die, should be prepared to...

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Brighton Festival 2018 Preview

This weekend sees the Brighton Festival 2018 kick off. Anyone visiting the city on Saturday 5 May would find this hard to miss as the famous Children’s Parade makes its way around the streets, a joyous dash of colour and creativity. This year’s...

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Witness for the Prosecution, London County Hall review - favourable verdict on Agatha Christie classic

Some site-specific theatre feels like a really good fit. You could say, in this case, that it seems like poetic justice. Agatha Christie’s 1953 play, Witness for the Prosecution, used to be a rep standard, and now gets a compelling new production in...

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