Royal Court
Best of 2016: TheatreTuesday, 27 December 2016
Life threw numerous, possibly irrevocable curveballs at us all during 2016, which in turn made one even more aware of how lucky we were to find ourselves in the midst of so much sustenance by way of art. Time and again throughout the year, one... Read more... |
The PassFriday, 09 December 2016
John Donnelly’s play The Pass scored a slate of five-star reviews when it ran at the Royal Court early last year – theartsdesk called it “scorching” – and plaudits for Russell Tovey’s central performance were practically stellar (“a star performance... Read more... |
The Children, Royal Court TheatreFriday, 25 November 2016
Over the past decade, one new theme in particular has emerged in contemporary British new writing: generational conflict. In several bright new offerings – such as James Graham’s The Whisky Taster (2010) and Mike Bartlett’s Love, Love, Love (2012... Read more... |
The Sewing Group, Royal Court TheatreThursday, 17 November 2016
The beauty of the past is that it’s a foreign country, and you don’t need a visa to visit it. With the free movement of the imagination you can conjure up life as it might have once been experienced. You can even join a re-enactment society. In the... Read more... |
'What would it feel like to watch women sew?'Wednesday, 16 November 2016
It’s a strange time to be alive. Has it always felt like this? When else was there a time when so much felt to be at stake, and the ground moved beneath our feet with the continuous emergence of technologies that affect our everyday lives and our... Read more... |
Harrogate, Royal Court TheatreTuesday, 25 October 2016
What’s incest got to do with a town in North Yorkshire? At first this seems a reasonable question to ask of Al Smith’s brilliantly written, if a little bit tricksy, play, which begins somewhere nearer to Guilford than to Leeds. The central character... Read more... |
Torn, Royal Court TheatreThursday, 15 September 2016
The family is a war zone. Bam, bam, bam. For some people, it can be the most dangerous place on earth. Its weapons include domination and betrayal, blackmail and abuse, and its frontline is memory – what really happened, and who is most to blame? In... Read more... |
Unreachable, Royal Court TheatreWednesday, 13 July 2016
There are obvious reasons why films about the theatre outnumber plays about the movie industry, but here’s a play that bucks that trend. Anthony Neilson’s latest drama is located on a film set somewhere distant, hot and challenging but doesn’t allow... Read more... |
Opinion: Post-Brexit, we need theatre more than everSunday, 26 June 2016
In seeking to understand the historic, divisive and to some bewildering Brexit vote, I will turn to theatre. Through my regular exposure to it, I can number among my ever-widening acquaintance a young king, a whistleblower, a minimum-wage movie... Read more... |
4.48 Psychosis, Royal Opera, Lyric HammersmithWednesday, 25 May 2016
New operas are a risky business, or so the Royal Opera’s past experience teaches us. For years, visiting the company’s Linbury Studio Theatre was like rolling the dice while on a losing streak: vain, desperate hope followed inevitably by... Read more... |
X, Royal Court TheatreWednesday, 06 April 2016
In 2014, Pomona stormed the Orange Tree, turning the previously staid venue into a place of both lauded theatre revolution and disgruntled walkouts. Could Alistair McDowall repeat the feat at the more progressive Royal Court?X should certainly prove... Read more... |
Cleansed, National TheatreWednesday, 24 February 2016
Although everyone agrees that Sarah Kane was one of the most influential British playwrights of the 1990s, revivals of her work have been few and far between. Now, at last, some 17 years after her suicide at the age of 28 in 1999, our flagship... Read more... |
