Pina Bausch
Pina Bausch’s The Rite of Spring/common ground[s], Sadler’s Wells review - raw and devastatingSaturday, 09 November 2024
It takes a lot to make an audience not want to head to the bar at the interval. But the preparation of the stage floor for The Rite of Spring in the version by Pina Bausch is a piece of theatre in itself, and many at Sadler’s Wells couldn’t tear... Read more... |
First Person: pioneering juggler Sean Gandini reflects on how the spirit of Pina Bausch has infiltrated his workTuesday, 30 January 2024
I am a juggler. My wife Kati Ylä-Hokkala is also a juggler. Our life for the last three decades has been juggling. We have been fortunate to be practising this art form at a time when mathematical and creative developments meant that our vocabulary... Read more... |
The Rite of Spring, Pina Bausch/École des Sables, Sadler's Wells review - explosive and disturbingWednesday, 15 June 2022
Superstition, herd instinct, brutality, base terror. Whatever the precise narrative themes of Pina Bausch's response to The Rite of Spring – the most admired of dozens of dance settings of Igor Stravinsky’s score – it’s clear that it concerns... Read more... |
Kontakthof, Tanztheater Wuppertal Pina Bausch review - struggling to make contactSaturday, 05 February 2022
Twelve years may have passed since her earthly demise, but you still hear people say they saw Pina Bausch the other night. Bausch remains synonymous with the company she founded, Tanztheater Wuppertal, and with a style of dance theatre that launched... Read more... |
Dancing at Dusk: A Moment with Pina Bausch’s 'The Rite of Spring' review - an explosive African riteSaturday, 04 July 2020
There’s sun and sand, and both are golden – but this is no holiday beach. Distantly, out of focus, you can make out a man with a donkey and cart. Off-camera, some locals kick a ball. A square of sand about the size of a tennis court has been... Read more... |
Palermo, Palermo review - free to view PinaMonday, 20 April 2020
It starts with an almighty boom. Without warning, a breeze-block wall that spans the width of the stage collapses into billowing clouds of dust. As the air clears, we see a stage strewn with rubble, and picking her way determinedly through it blonde... Read more... |
Bluebeard, Tanztheater Wuppertal Pina Bausch, Sadler's Wells review - bleak but ground-breakingFriday, 14 February 2020
When Pina Bausch died at the height of her creative powers in 2009, no one knew if her work or her company would survive. A decade later, to judge by the scramble for tickets for this early, highly experimental piece, both seem to be doing just fine... Read more... |
'She was revolutionary': Tanztheater Wuppertal's new director on the legacy of Pina BauschMonday, 10 February 2020
Ten years on from the death of its founder-choreographer, the Pina Bausch company finds itself at a crossroads, unwilling to limit itself to endless revivals of hits such as Café Muller or Rite of Spring, yet equally unwilling to relinquish the back... Read more... |
Bon Voyage, Bob, Tanztheater Wuppertal Pina Bausch, Sadler's Wells review - interminable ennuiTuesday, 26 February 2019
It's a decade since Pina Bausch sadly died, and during that time her company has kept her memory alive by revisiting her amazingly rich legacy. Inevitably, though, the time would come for them to embark on a new phase; but how? The unique mix of... Read more... |
Pina Bausch's Rite of Spring, English National Ballet, Sadler's WellsFriday, 24 March 2017
Is English National Ballet's current predilection for acquiring European repertoire some kind of anti-Brexit statement, or just smart brand positioning? Last night's performance at Sadler's Wells, a sequel in all but name to the programme called... Read more... |
Masurca Fogo, Pina Bausch, Sadler's WellsFriday, 10 February 2017
Tanztheater Wuppertal Pina Bausch are at an interesting juncture. Eight years after their eponymous founder died, and over 40 since she took over at Wuppertal, the troupe is reaching a point when, even if Bausch were alive, it would be facing change... Read more... |
"...como el musguito...", Pina Bausch, Sadler's WellsFriday, 12 February 2016
Sitting near the front at a Pina Bausch piece always provokes anxiety. As my neighbour in the fourth row remarked, "at best, we'll get offered a cup of tea; at worst, anything might happen." Fortunately for those of a nervous disposition, ...como el... Read more... |
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