tue 25/03/2025

piano

Batsashvili, Hallé, Wong, Bridgewater Hall, Manchester review - a star in the piano universe

Mariam Batsashvili, the young virtuosa pianist from Georgia, is a star. No doubt about that. Trained at the Liszt Academy in Weimar and winner of the International Franz Liszt Competition for Young Pianists in that city in 2015, she should know...

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Bavouzet, BBCSO, Stasevska, Barbican review - ardent souls in mythic magic

Not to be overshadowed by the adrenalin charges of the Budapest Festival Orchestra the previous evening, the BBC Symphony Orchestra and its Principal Guest Conductor Dalia Stasevska gave a supercharged triple whammy of masterpieces. They even had a...

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Levit, Budapest Festival Orchestra, Fischer, RFH review - anger unleashed, fantasy finessed in Prokofiev

A showstopper for starters followed by dark depths, a quirky compilation after the interval: it’s what you might expect from Iván Fischer and his 42-year-old Budapest Festival Orchestra. All Prokofiev, too: the sort of thing we used to get from...

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Argerich, Oxford Philharmonic Orchestra, Papadopoulos, Barbican review - the great pianist as life and soul

At the age of 83, Martha Argerich contains more personality in her little finger than many people do in their entire bodies.Her vigorous, technically dazzling delivery of Beethoven’s Second Piano Concerto began before she even touched the piano. As...

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Jessica Duchen: Myra Hess - National Treasure review - well-told life of a pioneering musician

Myra Hess was one of the most important figures in British cultural life in the mid-20th century: the pre-eminent pianist of her generation and accorded “national treasure” status as a result of the wartime lunchtime concert series at London’s...

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Chamayou, BBC Philharmonic, Morlot, Bridgewater Hall, Manchester review - blasts of Boulez, magical Ravel

The second of the Philharmonic’s Boulez-Ravel celebrations (birth centenary of the former, 150th of the latter) brought Bertrand Chamayou back: after his performance of the G major piano concerto in January, this time it was as soloist in the...

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Biss, BBCSO, Hrůša, Barbican review - electrifying Shostakovich at a crucial time

At the end of an exhausting week in which Holocaust Memorial Day struck a more urgent note than ever as fascism started tearing through the USA, parts of this concert were bound to hit hard. That they did so to the power of 100 was thanks to the...

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Gigashvili, Hallé, Cox, Bridgewater Hall, Manchester review - beauty and style from a winning pianist

There was excellent music making in the Hallé concert in Manchester last night, and there was self-admitted “noise”. Briefly, the two coincided in one work.The outstanding music making of the evening came from pianist Giorgi Gigashvili, winner of...

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Leif Ove Andsnes, Wigmore Hall review - colour and courage, from Hardanger to Majorca

Forthright and upright, powerful and lucid, the frank and bold pianism of Leif Ove Andsnes took his Wigmore Hall audience from Norway to Poland (or rather, Paris and Majorca) with a final stop in France. A recital that began with two large-scale...

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Roman Rabinovich, Wigmore Hall review - full tone in four styles

Is this the same Roman Rabinovich who drew harp-like delicacy from one of Chopin’s Pleyel pianos, and seeming authenticity from a 1790s grand which may have belonged to Haydn, both in the Cobbe Collection at Hatchlands, Surrey? He clearly cares...

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Album: Jon Batiste - Beethoven Blues

Beethoven’s renown in his own day was not just as a composer but also as an improvising pianist. He wrote in a letter in July 1819 that “freedom, and to move forward is the purpose of the world of art, as it is of the whole of creation.’So it is a...

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Ohlsson, BBC Philharmonic, Storgårds, Bridgewater Hall, Manchester review - grace and power in Brahms

The BBC Philharmonic were right to bill Garrick Ohlsson, soloist in Brahms’ Piano Concerto No. 1, as the main attraction in Saturday’s concert.The septuagenarian American is a force of nature and an exceptional artist: his playing of Rachmaninov in...

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