Paris
DVD/Blu-ray: Paris BluesFriday, 28 October 2016
The original 1961 poster for Paris Blues trumpeted it as “a love-spectacular so personally exciting you feel it’s happening to you”. Would it were actually thus. Instead, it’s ponderous and features a cast so obviously “acting” that any verve... Read more... |
Stravinsky: Myths and Rituals 4, Philharmonia, Salonen, RFHMonday, 26 September 2016
Stravinsky's music, chameleonic yet always itself, offers so many lines of thought. One struck me immediately with the descending, even harp notes and tender, veiled strings at the start of his 1947 ballet Orpheus last night: the inexorable beat of... Read more... |
Things to ComeFriday, 02 September 2016
One of the many astonishing things in Mia Hansen-Løve’s fifth film is watching Isabelle Huppert hold back tears. In one scene they smear almost involuntarily down her face, in another she transforms them into a bark of nervous laughter. Huppert... Read more... |
SummertimeFriday, 15 July 2016
Set at the beginning of the 1970s, Catherine Corsini’s Summertime (La belle saison) is a story of love in a political climate, one in which the post-1968 assertions of a changing society have infused the public context in theory but do not... Read more... |
Ariane/Alexandre Bis, Guildhall SchoolWednesday, 01 June 2016
Common wisdom has it that the prolific output of 20th century Czech genius Bohuslav Martinů is very uneven, a judgment surely made without a complete hearing. Some listeners shrink from his fidgety polystylism. Many of us on the fringes of the... Read more... |
Our Kind of TraitorMonday, 09 May 2016
John Le Carré made it quite clear what he thinks of the new world order in The Night Manager. All together now: a nexus of corrupt money and sinister establishment interests make for cynical realpolitik. It’s a persuasive weltanschauung that plays... Read more... |
Bastille DayWednesday, 20 April 2016
This Paris-set thriller was one of several films which had its release date postponed in the wake of the terrorist attacks in the French capital last November, giving the impression that it might be shockingly violent or provocatively political. In... Read more... |
Maigret, ITVTuesday, 29 March 2016
If you were expecting Rowan Atkinson to say "bibble" or make those Mr Bean gurgling noises, you came to the wrong classic detective drama. To play George Simenon's timeless French detective in a story subtitled "Maigret Sets a Trap", a melancholy,... Read more... |
MargueriteTuesday, 15 March 2016
You may never have heard of Florence Foster Jenkins, although she has definitely earned a certain renown among music-lovers. For all the wrong reasons: the American soprano, who performed at private recitals in the early decades of the last century... Read more... |
Wheeldon Triple Bill, Royal BalletSaturday, 13 February 2016
Christopher Wheeldon's new ballet Strapless scores a first on a number of counts. It’s the first co-production between the Royal Ballet and the Bolshoi (London gets first dibs – Moscow doesn’t get the goods for another 12 months). It forms part of... Read more... |
L'Étoile, Royal OperaTuesday, 02 February 2016
Why have all attempts to make French comic opera funny to British audiences fallen so flat, at least since ENO's 1980s Orpheus in the Underworld? That company's La belle Hélène simply curled the toes, while Opera North managed to make a pig's-ear "... Read more... |
Tony Allen and Jimi Tenor, Café OTOSaturday, 23 January 2016
Questions of what is authentic and what is retro get more complicated the more the information economy matures. Music from decades past that only tens or hundreds of people heard at the time it was made becomes readily available, gets sampled by new... Read more... |
