Paris
Isouard's Cendrillon, Bampton Classical Opera review - stepsisters shine in fairy-tale bagatelleWednesday, 19 September 2018Cinderella as opera in French: of late, the palm has always gone to Massenet's adorable (as in a-dor-Ah-bler) confection, and it should again soon when Glyndebourne offers a worthy home to the master's magic touch. The Cendrillon of Maltese-born... Read more... |
DVD/Blu-ray: RedoubtableSunday, 09 September 2018For viewers challenged by the work of French auteur classic Jean-Luc Godard, Michel Hazanavicius’ Redoubtable catches the moment when Godard himself began to be challenged by Godard. The irony, a considerable one, is that Godard was rejecting... Read more... |
Edinburgh Festival 2018 reviews: Home / The PrisonerMonday, 27 August 2018Home ★★★★ Philadelphia-based theatre artist Geoff Sobelle has scored highly with two previous Edinburgh Fringe shows. Flesh and Blood & Fish and Fowl, way back in 2010, imagined the natural world wreaking ruthless... Read more... |
Prom 44, Gringytė, CBSO, Morlot review - eloquently sculpted Gallic richesThursday, 16 August 2018This should have been the third much-anticipated Prom of the City of Birmingham Symphony Orchestra's inspiring communicator-in-chief Mirga Gražinytė-Tyla. She's now on maternity leave. So those of us who hadn't experienced Ludovic Morlot live before... Read more... |
Greed as the keynote: Robert Carsen on the timelessness of 'The Beggar's Opera'Tuesday, 14 August 2018In the time of composer John Gay, greed and self-interest were the main motives for life; and his work The Beggar’s Opera is an open critique on the way that society behaved. The work’s opening number sets the tone, basically saying: “we all abuse... Read more... |
Mission: Impossible - Fallout review - brilliant summer blockbusterMonday, 23 July 2018This is the second Mission: Impossible movie written and directed by Christopher McQuarrie, the first time any director has been called back for an encore on the series. He did a smart job on 2015’s Rogue Nation, but this time he has pulled out... Read more... |
La Traviata, Longborough Festival review - muddled director, vocal mixed bagMonday, 25 June 2018One wearies of quarrelling with opera directors’ concepts. But what’s the alternative? To ignore or acquiesce in crude, approximate reimaginings that, like Daisy Evans's new La Traviata at Longborough, stuff a work any old how into some snappy,... Read more... |
theartsdesk in Paris - following in the footsteps of GounodSunday, 24 June 2018It’s a truism that history is written by the victors, but nowhere in classical music is the argument made more persuasively than in the legacy and reputation of Charles Gounod. In a year in which you can hardly move for Bernstein and Debussy-related... Read more... |
DVD/Blu-ray: Let the Sunshine InFriday, 22 June 2018Un beau soleil intérieur, the film’s French title, is part of a piece of advice given by a clairvoyant (Gérard Depardieu, in a surprise 15-minute cameo at the end of the movie). Try to find the beautiful sun within, he tells Isabelle (a glowing... Read more... |
Aftermath: Art in the Wake of World War One, Tate Britain review - all in the mindTuesday, 05 June 2018Not far into Aftermath, Tate Britain’s new exhibition looking at how the experience of World War One shaped artists working in its wake, hangs a group of photographs by Pierre Anthony-Thouret depicting the damage inflicted on Reims. Heavy censorship... Read more... |
Capriccio, Garsington Opera review - a classy evening with words and musicMonday, 04 June 2018Like the comedies of Mozart – the genius the artistic milieu depicted in Capriccio seems to be waiting for, if its original 1770s setting is observed – the more conversational operas of Richard Strauss depend far more than one often realises on... Read more... |
CD: Hailey Tuck - JunkThursday, 17 May 2018Take a first, passing glance at the debut album from Hailey Tuck and she could be mistaken for Katy Perry, done up in florid new image finery. The Texas-born, Paris-living 27 year old, however, on further inspection (and, more to the point, on... Read more... |