fri 20/09/2024

Paris

Isouard's Cendrillon, Bampton Classical Opera review - stepsisters shine in fairy-tale bagatelle

Cinderella as opera in French: of late, the palm has always gone to Massenet's adorable (as in a-dor-Ah-bler) confection, and it should again soon when Glyndebourne offers a worthy home to the master's magic touch. The Cendrillon of Maltese-born...

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DVD/Blu-ray: Redoubtable

For viewers challenged by the work of French auteur classic Jean-Luc Godard, Michel Hazanavicius’ Redoubtable catches the moment when Godard himself began to be challenged by Godard. The irony, a considerable one, is that Godard was rejecting...

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Edinburgh Festival 2018 reviews: Home / The Prisoner

 Home ★★★★   Philadelphia-based theatre artist Geoff Sobelle has scored highly with two previous Edinburgh Fringe shows. Flesh and Blood & Fish and Fowl, way back in 2010, imagined the natural world wreaking ruthless...

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Prom 44, Gringytė, CBSO, Morlot review - eloquently sculpted Gallic riches

This should have been the third much-anticipated Prom of the City of Birmingham Symphony Orchestra's inspiring communicator-in-chief Mirga Gražinytė-Tyla. She's now on maternity leave. So those of us who hadn't experienced Ludovic Morlot live before...

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Greed as the keynote: Robert Carsen on the timelessness of 'The Beggar's Opera'

In the time of composer John Gay, greed and self-interest were the main motives for life; and his work The Beggar’s Opera is an open critique on the way that society behaved. The work’s opening number sets the tone, basically saying: “we all abuse...

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Mission: Impossible - Fallout review - brilliant summer blockbuster

This is the second Mission: Impossible movie written and directed by Christopher McQuarrie, the first time any director has been called back for an encore on the series. He did a smart job on 2015’s Rogue Nation, but this time he has pulled out...

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La Traviata, Longborough Festival review - muddled director, vocal mixed bag

One wearies of quarrelling with opera directors’ concepts. But what’s the alternative? To ignore or acquiesce in crude, approximate reimaginings that, like Daisy Evans's new La Traviata at Longborough, stuff a work any old how into some snappy,...

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theartsdesk in Paris - following in the footsteps of Gounod

It’s a truism that history is written by the victors, but nowhere in classical music is the argument made more persuasively than in the legacy and reputation of Charles Gounod. In a year in which you can hardly move for Bernstein and Debussy-related...

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DVD/Blu-ray: Let the Sunshine In

Un beau soleil intérieur, the film’s French title, is part of a piece of advice given by a clairvoyant (Gérard Depardieu, in a surprise 15-minute cameo at the end of the movie). Try to find the beautiful sun within, he tells Isabelle (a glowing...

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Aftermath: Art in the Wake of World War One, Tate Britain review - all in the mind

Not far into Aftermath, Tate Britain’s new exhibition looking at how the experience of World War One shaped artists working in its wake, hangs a group of photographs by Pierre Anthony-Thouret depicting the damage inflicted on Reims. Heavy censorship...

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Capriccio, Garsington Opera review - a classy evening with words and music

Like the comedies of Mozart – the genius the artistic milieu depicted in Capriccio seems to be waiting for, if its original 1770s setting is observed – the more conversational operas of Richard Strauss depend far more than one often realises on...

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CD: Hailey Tuck - Junk

Take a first, passing glance at the debut album from Hailey Tuck and she could be mistaken for Katy Perry, done up in florid new image finery. The Texas-born, Paris-living 27 year old, however, on further inspection (and, more to the point, on...

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