YZ Kami, Gagosian Gallery

YZ KAMI, GAGOSIAN GALLERY Hypnotically arresting portrait and abstract paintings that play with variation and repetition

Hypnotically arresting portrait and abstract paintings that play with variation and repetition

The Iranian-born New York resident painter YZ Kami, now in his mid-fifties, continually plays with our hunger to look at “reality” while being seduced by abstraction and repetition. In 17 canvases, painted over the past two years, Kami explores two distinct and recognisable styles or idioms that however much in common they have with contemporary concerns he has made his own. The results are both powerful and pleasurable. 

Jo Baer, Camden Arts Centre

JO BAER, CAMDEN ARTS CENTRE The Minimalist who rejected abstraction for figurative painting. Or did she?

The Minimalist who rejected abstraction for figurative painting. Or did she?

At 86, Jo Baer is still painting vigorously. In the mid 1960s, she was an established New York Minimalist along with artists like Carl Andre and Sol Lewitt; but while they continued to explore abstraction, she changed tack – dramatically, or so it seemed. In the mid 1970s, she turned toward figuration declaring that the “naivety” of Minimalism (its refusal to engage with events in the real world) no longer made it relevant. Yet she still thinks of herself as an abstract painter and this survey, which spans 55 years, allows us to guage what she means by the claim.

Ellen Altfest, MK Gallery

ELLEN ALTFEST An artist out of step with much of the art of her times paints canvases as charged as altar panels

An artist out of step with much of the art of her times paints canvases as charged as altar panels

MK Gallery has a knack for showcasing mid-career artists before any other public space and this is Ellen Altfest’s first survey in the UK. There are 22 paintings here which, given their demands on her time, represent a significant proportion of the 44-year old’s output to date. Most of the pieces come from private collections, representing her commercial success with White Cube.

Joshua Reynolds, Wallace Collection

JOSHUA REYNOLDS, WALLACE COLLECTION The portraitist's experiments in paint buckle under the weight of too much information

The portraitist's experiments in paint buckle under the weight of too much information

The grand but domestic setting of Hertford House, home of the Wallace Collection, makes a fitting backdrop to an exhibition of paintings by Joshua Reynolds. The Marquesses of Hertford acquired some 25 paintings by Reynolds in the artist's lifetime, and after it, and the 12 that remain in the collection form the focus of this exhibition.

Richard Diebenkorn, Royal Academy

RICHARD DIEBENKORN, ROYAL ACADEMY One of the greats of postwar American painting in a breathtaking survey

One of the greats of postwar American painting in a breathtaking survey

Made an Honorary Royal Academician just a few months before he died, in 1993, it’s taken till now for a posthumous Royal Academy survey to finally bring one of the absolute greats of American postwar painting to a UK audience. Of course, for those with long memories, there was the Whitechapel Gallery exhibition of 1991, but though it provided the impetus for the belated honour, it seemed to do little to bring the paintings of Richard Diebenkorn into the public realm.

Marlene Dumas: The Image as Burden, Tate Modern

MARLENE DUMAS: THE IMAGE AS BURDEN, TATE MODERN A living painter who can compete with Manet and make images relevant to today

A living painter who can compete with Manet and make images relevant to today

"My fatherland is South Africa, my mother tongue is Afrikaans, my surname is French, I don’t speak French. My mother always wanted me to go to Paris. She thought art was French because of Picasso. I thought art was American because of Artforum... I live in Amsterdam and have a Dutch passport. Sometimes I think I’m not a real artist because I’m too half-hearted and I never quite know where I am." (Marlene Dumas)

Rubens: An Extra Large Story, BBC Two

RUBENS: AN EXTRA LARGE STORY, BBC TWO Imperfect portrait of the artist as 'the Henry Kissinger of his day'

Imperfect portrait of the artist as 'the Henry Kissinger of his day'

The ebullient presenter, writer and director Waldemar Januszczak opens his enthusiastic and proselytising hour-long film on Sir Peter Paul Rubens (1577-1640) by reading out a series of disparaging quotes from other artists.

Best of 2014: Art

BEST OF 2014: ART It was a year of remembrance - so who were the artists we couldn't forget?

It was a year of remembrance - so who were the artists we couldn't forget?

We commemorated the centenary of the start of the First World War and we celebrated the 25th anniversary of the fall of the Berlin Wall. The year also marked a 70th anniversary for the D-Day landings. So it was oddly fitting that the London art calendar was most notable for the invasion of heavyweight Germans; namely, four postwar artists whose sense of the weight of German history is writ large in their work.

DVD: Hockney

DVD: HOCKNEY An affectionate but not entirely satisfactory portrait of the artist

An affectionate but not entirely satisfactory portrait of the artist

Since David Hockney entered his eighth decade (he is now 77), we seem to have witnessed an accelerated output of major exhibitions, biographies and documentaries. The public appetite has never tired of this most tireless of artists, but it’s an interest that’s been given fresh impetus by the exuberance and vivacity of his epic series of paintings of the Yorkshire Wolds.

Schama on Rembrandt: Masterpieces of the Late Years, BBC Two

SCHAMA ON REMBRANDT: MASTERPIECES OF THE LATE YEARS, BBC TWO Simon Schama campaigns and entertains, but does he explain?

Simon Schama campaigns and entertains, but does he explain?

The chatty, loquacious, exuberant Simon Schama, whose seminal 1987 book on Holland in the 17th century, The Embarrassment of Riches, transformed the anglophone’s understanding of the Dutch Republic, describes himself as historian, writer, art critic, cook, BBC presenter. He is also the University Professor of History and Art History at Columbia, and has written 14 substantial and even significant books. On several of his subjects, from British art, slavery in America and landscape in culture to the history of the Jews, he has presented popular television series.