thu 19/12/2024

Matthew Bourne

Matthew Bourne's Swan Lake, New Adventures, Sadler's Wells review - 30 years on, as bold and brilliant as ever

How do you refresh a masterpiece? Bringing back his first and still greatest hit, Swan Lake, Matthew Bourne seems to have changed only minor details since its 1995 premiere at Sadler’s Wells. Its core brilliance is untouched.As usual with Bourne,...

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Edward Scissorhands, Sadler's Wells review - a true Christmas treat, witty and beguiling

The story of Edward Scissorhands may not seem an obvious Christmas subject, but it couldn’t be a more overt call for goodwill to all men. And there’s a hint of The Nutcracker about Matthew Bourne’s dance version, too.Created in 2005 and last seen in...

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Matthew Bourne's Sleeping Beauty, Sadler's Wells review - a gothic romance with loads of goth and not much love

Matthew Bourne is not the first choreographer to tinker with the story of The Sleeping Beauty and he won't be the last, such is the lure of Tchaikovsky's score and the potency of the plot.Good and evil, beauty and decrepitude, the suspended...

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Mary Poppins, Prince Edward Theatre review - a lavish but old-fashioned revival

It’s been 15 years since Cameron Mackintosh’s stage musical version of P. L. Travers’ Mary Poppins made its West End debut. Now, the magical nanny returns to the Prince Edward Theatre, with Zizi Strallen (who also headlined the UK tour) succeeding...

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Matthew Bourne's Romeo and Juliet, Sadler's Wells review - heart-stopping drama

Your first thought on hearing there's a new Matthew Bourne Romeo and Juliet might well be 'doesn't it exist already?' So obvious does this marriage of high drama, lush iconic score, and Britain's premier dance maker seem that you might well be...

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Matthew Bourne's Swan Lake, Sadler's Wells - vivid, enchanting

The Matthew Bourne Swan Lake has become a classic. And – lest that word conjure up dusty tomes and a niggling sense of obligation – this is definitively not the old-but-worthy, improving-but-dull kind of classic. This is the "where has this been all...

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Matthew Bourne's Early Adventures, Sadler's Wells

Not every artist attains the kind of status that will allow their early works to be revived – or, when revived, greeted with commercial and critical success. This is something of a shame for those of us with a historical mindset who like seeing...

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The Red Shoes, Sadler's Wells

Anyone expecting a knockout punch from Matthew Bourne’s latest creation is in for a let-down. His hotly anticipated take on Powell and Pressburger’s 1948 film, unlike his Swan Lake, is not going to send anyone out into the night weeping into their...

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10 Questions for Choreographer Matthew Bourne

Choreographers are not generally household names, but Matthew Bourne must come close. Not only does his company tour frequently and widely, with a Christmas run at Sadler’s Wells that many families regard as an essential fixture of their seasonal...

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Matthew Bourne's The Car Man, Sadler's Wells

The original idea for the subtitle of this show, first made in 2000 and last seen at Sadler's Wells in 2007, was apparently "An Auto-Erotic Thriller". Yes, groan. But "erotic thriller" is a much straighter description of The Car Man than its actual...

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Edward Scissorhands, New Adventures, Sadler's Wells

For those who’ve seen one too many Nutcrackers, nothing says Christmas better than a Matthew Bourne production at Sadler’s Wells. A man whose mantelpiece is overflowing with Tony and Olivier awards is a safe bet for entertainrment – even when...

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Lord of the Flies, Matthew Bourne's New Adventures, Sadler's Wells

New Adventures, the name of Matthew Bourne's company, has a ruddy-cheeked, Boys’ Own ring to it that has – until now – been rather belied by his oeuvre, which includes a dance version of Edward Scissorhands, as well as dark retellings of all the...

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