fri 13/12/2024

Manchester

L’étoile, RNCM, Manchester review - lavish and cheerful absurdity

Emmanuel Chabrier’s L’étoile is not exactly a French farce, but it comes from a post-Offenbach era (1877 saw its premiere) when cheerful absurdity was certainly expected, especially at Offenbach’s old theatre, the Bouffes Parisiens.In some ways it...

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Currie, Hallé, Wong, Bridgewater Hall, Manchester review - sparkle and intrigue

Kahchun Wong’s final concert of 2024 in the Hallé Manchester season was something of a surprise. At first sight, the sparkle in the programme seemed likely to come from James MacMillan’s Veni, Veni, Emmanuel – his percussion concerto, with the star...

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Classical CDs: Vitamins, kings and magic spells

 Brahms: Piano Concertos 1 and 2, Solo piano works Igor Levit (piano), Wiener Philharmoniker/Christian Thielemann (Sony)Who’d have thought that Igor Levit and Christian Thielemann would be such effective partners? Levitt is one of the most...

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Gerhardt, BBC Philharmonic, Chauhan, Bridgewater Hall, Manchester review - from grief to peace

Anna Clyne’s This Moment had its UK premiere at Saturday’s BBC Philharmonic concert. She’s the orchestra’s composer in association, and this seven-minute piece was first played by the Philadelphia Orchestra last year.Inspired by the calligraphy of...

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Kolesnikov, Hallé, Elts, Bridgewater Hall, Manchester review - the dude who dazzles

Pavel Kolesnikov returned to the Hallé last night with a bobby-dazzler of a concerto. He’s a laid-back dude in appearance, with no tie, flapping jacket and cool appearance – quite a contrast with the full evening dress worn by the orchestra members...

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Ohlsson, BBC Philharmonic, Storgårds, Bridgewater Hall, Manchester review - grace and power in Brahms

The BBC Philharmonic were right to bill Garrick Ohlsson, soloist in Brahms’ Piano Concerto No. 1, as the main attraction in Saturday’s concert.The septuagenarian American is a force of nature and an exceptional artist: his playing of Rachmaninov in...

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Hallé, Wong, Bridgewater Hall, Manchester review - Bruckner’s Ninth completed

Kahchun Wong’s third Bridgewater Hall concert with the Hallé in his inaugural season as principal conductor consisted of just one work: Bruckner’s Symphony no. 9 – but not in the incomplete three-movement version that until quite recently has been...

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First Person: Bob Riley on Manchester Camerata's championship of a Centre of Excellence for Music and Dementia

In May, it was announced that Greater Manchester was to become the UK’s first Centre of Excellence for Music and Dementia, hosted by Manchester Camerata.The Centre is an incredible opportunity and the result of the vision and energy of many people,...

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Kanga, Manchester Collective, Singh, RNCM Manchester review - string ensemble playing at its most rewarding

Of all the inventive and enterprising things Manchester Collective do, it’s most often been the playing of a string ensemble led from first desk by Rakhi Singh that’s been the most fundamentally rewarding.Last night’s concert was further...

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Hardenberger, BBC Philharmonic, Storgårds, Bridgewater Hall, Manchester review - splendour and a trumpeter's voluntary

Two splendid pieces of orchestral virtuosity began and finished the second Saturday concert by the BBC Philharmonic under John Storgårds at the Bridgewater Hall. It was given the title of “Mischief and Magic”, an apt summary.For mischief we had...

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Hallé, Wong, Bridgewater Hall, Manchester review - declaration of thrills to come

If audience reaction is anything to go by, Kahchun Wong’s season-opening first concert officially in post as principal conductor of the Hallé was an outstanding success.And the reception was deserved. Still young enough, with a mop of hair cascading...

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Lewis, BBC Philharmonic, Storgårds, Bridgewater Hall, Manchester review - adding the Moon to The Planets

The first piece by Grace-Evangeline Mason I heard was six years ago, a simple song in a multi-composer “Manchester Peace Song Cycle” performed at the Royal Northern College of Music when she was studying there.It was striking because of its eloquent...

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