London
aleks.sierz
Star casting has, since the pandemic, done much to restore the fortunes of commercial theatre. And, when they can pull off a similar deal, the same applies to subsidised venues. If the downside is that many smaller institutions get left behind, the upside is clearly visible all over the West End.The latest stars to join Alicia Vikander and Andrew Lincoln in The Lady from the Sea or Brendan Gleeson in The Weir, are national treasures Stephen Fry and Olly Alexander in this West End transfer of the hit National Theatre revival of Oscar Wilde’s 1895 masterpiece, The Importance of Being Read more ...
Boyd Tonkin
When you go to the prince’s ball, would you prefer a night of sobriety or excess? Julia Burbach’s new production of Rossini’s Cinderella (La Cenerentola) for English National Opera frankly errs on the side of theatrical over-indulgence. The stage-business treats arrive thick and fast like trays of richly seasoned canapés, from the scurrying kids in mouse costumes who act as the mastermind Alidoro’s hi-tech little helpers to the all-male chorus togged out in an assortment of scarlet-to-pink period outfits as Prince Ramiro’s ancestral ghosts. I never quite discovered why those hard-working Read more ...
Bernard Hughes
Last night’s concert at Kings Place was a programme of contemporary pieces – including several premieres – by horn superstar Ben Goldscheider and string quartet Brother Tree Sound, “curated”, as the current lingo has it, by young composer Ben Nobuto, whose high-spirited and invigorating music finished things on a high.There were some pieces for horn plus quartet – first violinist Anna de Bruin’s intricately-textured Aurea, John Croft’s beguiling Voi sete la mia stella and Nobuto’s finale Hope Spiral – alongside others for strings along, some garlanded with Read more ...
aleks.sierz
Playwright Joe Orton was a merry prankster. His main work – such as Loot (1965) and What the Butler Saw (1969) – was provocative, taboo-tickling and often wildly hilarious. Now the Young Vic is staging a revival of his debut, Entertaining Mr Sloane, directed by this venue’s new supremo Nadia Fall, and starring celebrity polymath Jordan Stephens. But does 1960s provocation still resonate today?Well yes and well, no. While this play still has the ability, sporadically, to disturb, the passing of time also means that some of Orton’s attitudes have not aged well. So even Read more ...
Gary Naylor
About halfway through this world premiere, I realised what was missing. Where is the sinister lift, where are the long corridors and, most of all, WHERE IS MR. MILCHICK? 50 First Dates: The Musical may indeed be the sunnier cousin of Severance, but it’s also much older, tracing its roots back to the mid-hit movie of the same name.You could be forgiven for having forgotten that 2004 Drew Barrymore / Adam Sandler romcom, but writers, David Rossmer and Steve Rosen and director/choreographer, Casey Nicholaw, hadn’t. Fast forward and, like so much else just now, what was born in a pandemic Read more ...
Adam Sweeting
Fifth time around, Slow Horses continues to show the rest of the field a clean pair of heels. Or hooves. The adventures of Jackson Lamb (Gary Oldman) and his peculiar little band of secret service misfits have come to exert a fierce stranglehold on the viewing public. Horses must be perilously close to being officially declared a cult.Anyway, this fifth series is derived from Mick Herron’s novel London Rules, and the specific London-ness of the show continues to be an indispensable component in its success. Where TV drama often fakes up a fictional not-quite-anywhereland, Horses remains Read more ...
Adam Sweeting
Scripted by Belfast-born playwright David Ireland, Coldwater is a smart and addictive thriller, which manages to squeeze some fresh twists out of its murderous narrative. It also benefits hugely from an excellent cast firing on all cylinders, while also reaping the benefits of its Scottish rural locations.But our story begins in London, where the anti-hero, John (Andrew Lincoln), suffers a traumatic event at the local school playground. He watches a woman being violently assaulted by a raging maniac, but can’t bring himself to rush to her rescue. Instead he freezes, panics, and then runs away Read more ...
Helen Tyson
Writing in her diary just over 100 years ago on 19th June 1923, Virginia Woolf wrote: “In this book I have almost too many ideas. I want to give life & death, sanity & insanity; I want to criticise the social system, & to show it at work, at its most intense”.Set on a hot day in London in the middle of June in 1923, Mrs Dalloway might at first appear to be about very little – a middle-aged woman and survivor of the 1918 influenza pandemic, Clarissa Dalloway, wife to a conservative MP, is going to give a party. She buys some flowers; she repairs her green silk dress; she has a Read more ...
Gary Naylor
If you ever wanted to know what a mash up of Martin McDonagh and Conor McPherson, stirred (and there’s a lot of stirring in this play) with a soupçon of Chekhov, Ibsen and Williams looks like, The Kiln has your answer.Mark O’Rowe’s feuding family fallouts were a big hit at the Galway International Arts Festival last summer and the play has transferred seamlessly to London, fetching up in a house perfectly suited to its forced intimacy. It’s only after you see scaled up productions lose the run of what sent them on to greater things that you realise how much size matters. We’re on a Read more ...
Bernard Hughes
My final visit to the Proms for this year was a Sunday double-header of the RPO playing Respighi, Milhaud and Vaughan Williams at 11am and an evening concert of the BBC Symphony Orchestra and massed choirs in Gipps, Grieg and Bliss.The matinée (★★★★) was a set of three cityscapes, depicting Rome, Rio and London. Respighi’s The Pines of Rome is a terrific orchestral showpiece, low on memorable musical content but high on vivacity, gorgeous in its Technicolor scoring and performed here with pizzazz by the RPO, especially in the second and fourth movements. After the rumbustious opening Read more ...
graham.rickson
You’ll have absorbed key strands of The Sweeney‘s DNA even if you’ve never watched an episode, ITV’s groundbreaking police drama having had an impact and influence far bigger than its creators could ever have imagined. Writer Ian Kennedy Martin had met the young John Thaw in the 1960s and was keen to work with him again, penning a 90-minute script about a maverick detective inspector for Thames Television’s Armchair Cinema slot in 1974.Production company Euston Films saw the idea’s potential, and production on a 13-part Sweeney series began before Regan was even broadcast. That 90-minute Read more ...
aleks.sierz
Ever wondered if there was one moment when in-yer-face theatre started? Well, yes there was; there was one play that kicked off that whole 1990s sensibility, a drama that had a direct influence on Sarah Kane, Mark Ravenhill and Jez Butterworth, and an ongoing inspiration for countless others. That moment was January 1991, and the play was Philip Ridley’s The Pitchfork Disney.Now revived in the suitably claustrophobic subterranean space of the King’s Head Theatre, the legendary 90-minute real-time story is set in an East End flat where Presley and Haley Stray, 28-year-old “shut in” twins, are Read more ...