London
Don't Destroy Me, Arcola Theatre review - a theatre history curioWednesday, 17 January 2024
British Theatre abounds in forgotten writers. And in ones whose early work is too rarely revived. One such is Michael Hastings, best known for Tom & Viv, his 1984 biographical drama about TS Eliot and his wife Vivienne, so in theory it’s great... Read more... |
Album: Altered Natives - Time Decays All ThingsWednesday, 17 January 2024
There are musicians on the UK dance underground who doggedly identify with particular scenes and evolve with them. There are those who adapt stylistically in order to move from scene, or manage to be part of several at the same time. And then there... Read more... |
The Good John Proctor, Jermyn Street Theatre review - Salem-set drama loses some of its power in LondonSaturday, 13 January 2024
It is no surprise that the phrase “Witch Hunt” is Donald Trump’s favoured term to describe his legal travails. Leaving aside its connotations of a malevolent state going after an innocent victim whilst in the throes of a self-serving moral panic, it... Read more... |
Criminal Record, Apple TV+ review - law and disorder in HackneyFriday, 12 January 2024
It’s not easy to find a new way to package a drama about that perennially popular topic, the dark side of policing, but Criminal Record at least gets its ducks in a row with some strong writing by Paul Rutman and a strength-in-depth cast. Peter... Read more... |
Scala!!! review - a grindhouse cinema remembersMonday, 08 January 2024
This week, the makers of Scala!!! threw a party in what remains of its subject – a notorious, beloved repertory cinema in then sleazy King’s Cross, born 1981, dead 1993, and now a dowdier music venue.The auditorium was cut up, shrunk... Read more... |
1979, Finborough Theatre review - niche subject matter finds a strong resonanceSaturday, 06 January 2024
If a week is a long time in politics, what price 44 years? And 3500 miles? Turns out, not much, as Michael Healey’s sparkling play, 1979, proves that events all that time ago and all that way across the Atlantic maintain a remarkable relevance today... Read more... |
Scala!!! interview with documentary co-directors Jane Giles and Ali CatterallThursday, 04 January 2024
There’s no shortage of documentaries about movie stars, film directors and production studios in their heydays, but very little attention has been paid to the cinemas that showed the movies they made or the diverse audiences they attracted.Opening... Read more... |
Albums of the Year 2023: Jim Legxacy - HNPMSaturday, 30 December 2023
In 2023 Dave and Central Cee had the longest running number one UK rap song ever with "Sprinter", a song about the logistics of being very rich. The real star of the show, however, was the spritely, luxurious instrumental which was partially... Read more... |
Siglo de Oro, Spinacino Consort, Allies, Wigmore Hall review - a fun 17th century musical ChristmasSaturday, 23 December 2023
The Wigmore Hall, the high church of Beethoven and Brahms, hosted something less elevated last night: a programme called “Hey for Christmas” presented by vocal ensemble Siglo de Oro and period instrument band Spinacino. The conceit was of recreating... Read more... |
Jansen, Ridout, Blendulf, Kozhukhin, Wigmore Hall review - Brahms in excelsisSaturday, 23 December 2023
Reviewing, they say, never gets easier. How can one possibly describe chamber music playing as good, as stupendously memorable, as last night’s all-Brahms programme from Dutch violinist Janine Jansen, English violist Timothy Ridout, Swedish cellist... Read more... |
Sweet Sue review - delightfully hopeless BritsFriday, 22 December 2023
You don’t have to be a casting director to know that Britain has a remarkable reservoir of unstarry middle-aged actors who might, just occasionally, get top spot in a movie – Joanna Scanlon in the wondrous After Love (2020) being an excellent... Read more... |
Stranger Things: The First Shadow, Phoenix Theatre review - formidable stagecraft unlocks new depths to the popular seriesFriday, 15 December 2023
Stranger Things has shown us over four seasons that the alternate dimension known as the Upside Down can be the seat of many things: terror, mystery, camaraderie, compassion. As it turns out, it can spawn great theatre, too, for Stephen Daldry’s... Read more... |
