Liverpool
theartsdesk Q&A: David Morrissey on (among other things) the return of 'Sherwood' and 'Daddy Issues'Wednesday, 28 August 2024Without ever getting embroiled in tabloid mayhem, even if he has confessed that he’d like to have a go on Strictly, David Morrissey has patiently turned himself into a quiet superstar.Having cut his acting teeth as a teenager at the Everyman Theatre... Read more... |
Boys from the Blackstuff, National Theatre review - a lyrical, funny, affecting variation on a television classicThursday, 30 May 2024Prolific playwright James Graham was born in 1982, the year Alan Bleasdale's unforgettable series was televised. From Nottingham rather than Liverpool, Graham recognised in his own surroundings the predicaments of the main characters, the bonds... Read more... |
Stephen review - a breathtakingly good first feature by a multi-media artistWednesday, 24 April 2024Stephen is the first feature film by multi-media artist Melanie Manchot and it’s the best debut film I’ve seen since Steve McQueen’s Hunger. It’s gripping from the first frame to the last; the tension rarely lets up as we watch the main character... Read more... |
Macbeth, The Depot, Liverpool review - Ralph Fiennes leads a conventional production in an unconventional spaceFriday, 01 December 2023Next door to the beautiful Art Deco Littlewoods Pools Building, nearly 30 years standing derelict, a set of grey sheds stand, a seat of potential for Liverpool’s nascent film industry. Nearly a century ago, the long, white, towered construction in... Read more... |
Album: OMD - Bauhaus StaircaseSaturday, 21 October 2023The three previous albums that Orchestral Manoeuvres in the Dark have released since reforming in 2010 have all, to varying degrees, adhered to their early sound. The band were part of the post-punk, post-Kraftwerk, 1979-82 synth-pop boom, alongside... Read more... |
Cuckoo, Royal Court review - slow, superficial and unfunnySaturday, 15 July 2023Historically, the Royal Court is the venue for cutting-edge new writing – you know, the kind of plays that have something urgent to say about contemporary life. Like what? Well, let’s see, something important to say about digital alienation, climate... Read more... |
Music Reissues Weekly: Let's Stomp - Merseybeat and BeyondSunday, 11 June 2023The words “Mersey” and “beat” were first publicly paired-up in July 1961 when a newspaper titled Mersey Beat went on sale in Liverpool. The debut issue – dated July 6-20 1961 – was distributed to newsagents. Its editor, art student Bill Harry,... Read more... |
Ladytron, SWG3, Glasgow review - synth stars show time hasn't diminished their relevanceMonday, 13 March 2023It is a sign of Ladytron’s longevity and relevance that their support acts are now performers clearly inspired by the quartet. Elisabeth Elektra, here picked for opening the night in her home city, may not have the icy cool of the evening’s... Read more... |
Shirley Valentine, Duke of York's Theatre review - Sheridan Smith slays itThursday, 09 March 2023Can lightning strike twice? Very much so, when it comes to Shirley Valentine, Willy Russell's much-revived solo play which I saw back in the day with its London and Broadway originator, Pauline Collins, who went on to receive a 1990 Oscar nomination... Read more... |
Music Reissues Weekly: Modern Eon - Fiction TalesSunday, 12 February 2023The most commercially and consistently successful band on DinDisc was Orchestral Manoeuvres in the Dark. Martha and the Muffins also made a mark. Label mates The Monochrome Set were cool, distinctive but not so chart friendly. The Revillos were less... Read more... |
Music Reissues Weekly: The Swinging Blue Jeans - Feelin’ Better Anthology 1963-1969Sunday, 28 August 2022In late August 1962, Liverpool’s Swinging Blue Genes were booked to play Hamburg’s Star-Club for the first time. At the opening show of their season, they were booed and the curtain was pulled across them. The audience took against their mix of... Read more... |
Album: The Boo Radleys - Keep On With FallingSunday, 13 March 2022Britpop-era favourites have been critically buried for the most part, unwelcome reminders, much like a hangover, of a wild party now seen as a regrettable generational aberration. The Boo Radleys were outsiders even at the time, Wirral experimental... Read more... |
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