landscape
John Martin: Apocalypse, Tate BritainWednesday, 21 September 2011
John Martin is heaven. Well, as many of his contemporaries would have pointed out, John Martin is also hell, or The Last Judgement, or, as the Tate’s show title would have it, the Apocalypse at the very least. For John Martin was, after Turner, the... Read more... |
Forests, Rocks, Torrents: Norwegian and Swiss Landscapes, National GalleryWednesday, 20 July 2011
The National Gallery has in recent years made a speciality of examining the hitherto unexamined. Just for starters, a surprise hit some years ago was Spanish Still Lifes, 2007 saw Renoir Landscapes (who knew?), last year there was the ravishing... Read more... |
The Mountain That Had To Be Painted, BBC FourWednesday, 18 May 2011
Half of Wales is visible from the blustery summit. “Of all the hills which I saw in Wales,” recalled George Borrow, author of the prolix Victorian classic Wild Wales, “none made a greater impression upon me.” He was not alone. Arenig Fawr, a... Read more... |
theartsdesk in Moscow: Isaac Levitan at the Tretyakov GallerySunday, 06 March 2011
The Tretyakov Gallery is currently housing a landmark exhibition to mark the 150th anniversary of Isaac Levitan. His glorious “mood landscapes” catch the understated beauty of provincial Russia, with an often gloomy philosophical perspective behind... Read more... |
PatagoniaWednesday, 02 March 2011
To anyone less than familiar with a transatlantic migration of 150 souls which took place in 1865, a bilingual film with dialogue in Spanish and Welsh may look like a subtitled bridge too far. Any such prejudgement would be a mistake. Patagonia is a... Read more... |
Peter Lanyon, Tate St IvesWednesday, 01 December 2010
A retrospective at Tate St Ives can be a poisoned chalice for the major artist. It postpones his or her prospect of a showing at Tate Britain by a couple of decades, and can appear to consign them to the comfort zone of "Cornish Art": the heritage... Read more... |
Leon Kossoff, New Works, Annely Juda Fine ArtMonday, 01 November 2010
It is one of the enduring mysteries of Leon Kossoff’s art. How does someone who uses such thick, impastoed paint and such muddy, earth-toned colours make his work so light, so delicate, so filled with grace? The more you look, the more mysterious... Read more... |
Tuscany is Ready for Her Close-UpMonday, 30 August 2010
As befits a film set in Tuscany, Certified Copy is an international affair. It stars Juliette Binoche as a French gallery owner and William Shimell as an English art historian. Its Iranian director is Abbas Kiarostami. The dialogue is in three... Read more... |
Photo Gallery: A Century Apart, James Ravilious & John Wheeley GutchSaturday, 14 August 2010
Life changes at such speed in cities that it seems as if all the world must move at the same pace. Photographs prove otherwise. Looking at the two portfolios of West Country photographs below, you could surely not readily believe that more than a... Read more... |
- ‹‹
- 4 of 4
