fri 02/05/2025

indie

Paul Weller, Barrowland, Glasgow review - Modfather holding back father time with old and new tricks

There was a brief lapse in this lengthy set when Paul Weller stood up from the piano, walked towards centre stage and then pivoted back the way he came, having realised he was moving a song too early. “That’s the trouble with getting old, you forget...

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Album: Deep Throat Choir - In Order To Know You

Although it’s indirect, the overall feel of In Order To Know You points to where jazz and soul meet –  a space analogous to that occupied by The Rotary Connection, Seventies Curtis Mayfield, Neneh Cherry, the early Camille and the warmer end of...

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Album: Nell & The Flaming Lips - Where The Viaduct Looms

Initially, it’s about the voice. Thirteen seconds into the first track, it arrives: close-to disembodied, delivering lyrics as if they were a psalm, yet still melodic. Just over a minute in, there’s a shift into an ascending-descending chorus. The...

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theartsdesk Q&A: Low, the band - 'Structure is key in minimalism. Especially in pop minimalism'

After its mid-September release Low’s 13th studio album Hey What hit 23 on the UK’s Official Charts, their highest ranking to date. Back in early 2001, Things We Lost in the Fire topped out at number 81. Despite the increasing profile, Mimi Parker...

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Album: Idles - Crawler

Perhaps surprisingly for a band famed for the raw, tightly wrought, balled-up fury of their music, the most affecting moments of Idles’ fourth album are slower numbers. Chief among these is “Progress”, whose looping, repeated lyrics may reflect...

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Music Reissues Weekly: The Sun Shines Here - The Roots Of Indie-Pop 1980-1984

The Sun Shines Here - The Roots Of Indie-Pop 1980-1984 is three-CD set in a clamshell box with 74 tracks. The opener is “Better Scream”, January 1980’s debut single from Wah Heat! The closing track was issued in November 1984: The Jesus And Mary...

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Sports Team, SWG3, Glasgow review - entertaining, but not always original

It may go against rock n’ roll cliché, but occasionally there is merit to good time keeping for a band. Lucia and the Best Boys saw their support slot in their home town of Glasgow reach an ignominious ending when they were cut off a song early,...

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Field Music, Francis Lung, Electric Ballroom review - neither band is capable of standing still

Forty five minutes into their set Field Music play “A House is Not a Home”, from their 2006 second album Tones of Town. An hour in, “Them That do Nothing” from 2010’s Measure is aired. They end with “Orion From the Street”, the opening track from...

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Manic Street Preachers, Brighton Dome review - solid gig occasionally explodes to another level

There is a three song segment midway through Manic Street Preachers’ set which suddenly ramps everything up. For this brief while, the performance and response in the sold-out, nigh-on-2000-capacity venue, elevates the concert from another decent...

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Album: Finneas - Optimist

This record is a heck of a metatextual experience to listen to. In releasing his debut album, 24 year old Finneas O’Connell is attempting to step out of the shadow of one of the biggest pop cultural behemoths of our time – his own sister,...

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Maximo Park, Saint Luke's and the Winged Ox, Glasgow - indie veterans still have fire in their bellies

Time waits for no band, as Maximo Park’s lively singer Paul Smith opined early into his band’s set. “I am young and I am lost” he declared during "The Coast Is Always Changing"’s jangly guitar-pop, before drily admitting afterwards that he might...

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Album: Sam Fender - Seventeen Going Under

Grand, sweeping romanticism with strong Celtic leanings is the order of the day lately, in a way it hasn’t been since the 1980s heyday of U2, Waterboys, Bruce Springsteen, Dexys and Simple Minds. The likes of Lewis Capaldi, Dermot Kennedy, Declan...

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