fri 09/05/2025

horror

Men review - mythic misogyny

This maggoty English pastoral blurs into folk- and body-horror, as Alex Garland dissects a relationship’s mournful aftermath, and sends toxic masculinity into toxic shock.Harper (Jessie Buckley) rents a grand Cotswold cottage in the grounds of...

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Girl on an Altar, Kiln Theatre review - machismo, murder and motherhood in mesmerising myth

Playwrights return to classical myths for two main reasons – to shine a light on how we live today and because they're bloody good yarns.Marina Carr's re-telling of Clytemnestra's story is boldly innovative in its conception and execution, but...

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X review - sex and the bloody American dream

Ti West’s slyly self-referential horror film about a Texan porn shoot subverts expectations. The Texas Chain Saw Massacre/Debbie Does Dallas genre mash-up promised by the premise, pumping out head-spinning sex and gore, is in fact a muted exercise...

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A Banquet review – horror, done before

One feels, or perhaps hopes, that if she could have avoided it, first-time feature director Ruth Paxton might not have started A Banquet as she ultimately did: with Holly Hughes (Sienna Guillory) arduously scrubbing the frame of her...

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10 Questions for filmmaker Romola Garai

The prolific actor Romola Garai first demonstrated her ability as a filmmaker with Scrubber, a gripping 20-minute feminist drama about a young middle-class mum and homemaker (Amanda Hale) who escapes her deadly routine through bouts of anonymous...

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The Humans review - staring headlong into the abyss

A small film that packs a significant wallop, The Humans snuck into view at the very end of 2021 to cast a despairing shadow that extends well beyond the Thanksgiving day during which it takes place. Adapted from the much-traveled Tony-winning play...

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Hellbound, Netflix review - supernatural assassins usher in an age of terror

Netflix is sometimes criticised for bringing too much of everything to its online feast, but the way it’s opening up previously under-exposed territories is becoming seriously impressive. Suddenly, South Korea is beginning to look like a powerhouse...

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Mark Bould: The Anthropocene Unconscious review - climate anxiety is written everywhere

Our everyday lives, if we’re fortunate, may be placid, even contented. A rewarding job, for some; good eats; warm home; happy family; entertainment on tap. Yet, even for the privileged, awareness of impending change – probably disaster – intrudes....

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The North Water, BBC Two review - a terrible voyage into the great beyond

It’s perhaps unfortunate that The North Water arrives on BBC Two only a few months after The Terror, since it’s impossible to avoid the parallels between them. They’re set only a few years apart (1859 for The North Water, 1845 for The Terror), both...

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Blu-ray: Lake Mungo

Lake Mungo (2008) is a dread-laden Australian Gothic thriller that masquerades as a straight-faced documentary.It’s also an analysis of grief that questions who or what it's for; a disquisition on representation that emphasises our psychological...

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Kylie Whitehead: Absorbed review - boundary-blurry, darkly funny debut

Absorbed meets Allison at the end of her relationship with Owen. They are at a New Year's Eve party when she realises that their 10-year partnership has wound down. So far, so normal. But even within this introduction, we are drawn into Allison's...

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Army of the Dead review - triumphant return to zombieland by director Zack Snyder

Zack Snyder’s CV includes such fantastic fare as Watchmen, 300, Man of Steel and his career-launching zombie-fest Dawn of the Dead, so who better to helm a zombies-in-Vegas heist movie? Army of the Dead has suffered an interminable gestation,...

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