Glyndebourne
Die Entführung aus dem Serail, GlyndebourneSunday, 14 June 2015
What a difference seven years can make to a budding genius. Mozart’s La finta giardiniera (1775) has only patches of brilliance, and last year’s Glyndebourne production, despite musical excellence, failed them all. This time an experienced director... Read more... |
Carmen, Glyndebourne Festival OperaSunday, 24 May 2015
After Calixto Bieito’s radical reimaging of Carmen, which opened at English National Opera this week, David McVicar’s version at Glyndebourne was bound to seem conservative. But it turned out to be a comparison of apples and Seville oranges: Bieito... Read more... |
Poliuto, Glyndebourne Festival OperaFriday, 22 May 2015
Fashion is a funny thing, in opera no less than the sartorial trappings that go with it (everything from tight, hipster trews to billowing ballgowns at last night's Glyndebourne season opening, in case you were wondering). Donizetti's classical... Read more... |
Best of 2014: OperaSaturday, 27 December 2014
When everything works – conducting, singing, production, costumes, sets, lighting, choreography where relevant – then there’s nothing like the art of opera. But how often does that happen? In my experience, very seldom, but not this year. It's been... Read more... |
La Traviata, Glyndebourne TourSunday, 05 October 2014
Usually, anyone bringing tuberculosis and transgression to the regional centres of Woking, Norwich and Milton Keynes would meet redoubtable opposition. In the case of Glyndebourne’s new touring production of La traviata, that would be a shame,... Read more... |
Rinaldo, Glyndebourne Festival OperaSunday, 10 August 2014
God it’s good to laugh in an opera house. Not a hear-how-clever-I-am-to-get-the-laborious-operatic-joke laugh, or an I-realise-this-is-supposed-to-be-funny-so-I’m-playing-along one, but a real, spontaneous laugh that tickles into sound before you’ve... Read more... |
Alright on the Night: at Glyndebourne with the OAESaturday, 09 August 2014
If you only ever listened to opera from recordings, you might overlook the fact that it's as much theatre as it is music. In the opera house on the night, it's all well and good for the orchestra to play the score and the singers to sing their parts... Read more... |
La traviata, GlyndebourneFriday, 18 July 2014
Some of us have witnessed Traviatas where single stars were born: Angela Gheorghiu for Solti at the Royal Opera nearly 20 years ago springs quickest to mind. Some would claim a dream couple in Anna Netrebko and Rolando Villazon on peak form at... Read more... |
theartsdesk Q&A: Tenor Michael FabianoWednesday, 16 July 2014
You can usually trust the buzz around rehearsals. From Glyndebourne, five weeks into preparation for La traviata, which opens tomorrow, one of the team working on Tom Cairns’ new production declared in an e-mail conversation that newcomer soprano... Read more... |
La finta giardiniera, GlyndebourneSunday, 29 June 2014
There are two avenues down which to approach the well-kept flower beds of Mozart’s early operas. One is to be surprised how rarely the muse of fire which rages through Idomeneo, his first undisputed masterpiece, descends on a work composed just a... Read more... |
Listed: 10 Mozart Operas You've Never Heard (of)Saturday, 28 June 2014
Mozart operas – we’ve all been there, whistled the arias, untangled the love triangles (quadrants/pentagons), dabbled in some cross-dressing, and sung a rousing chorus of general forgiveness. But for every ubiquitous Don Giovanni or Le Nozze di... Read more... |
First Person: Who is Mozart's fake garden girl?Saturday, 28 June 2014
La finta giardiniera is about seven characters in search of love. They are all pretending to some extent – they are not being truthful to themselves. It’s a classic Mozartian conceit which comes back in Così fan tutte in particular but also in Le... Read more... |
