thu 28/11/2024

fiction

Jon Fosse: Morning and Evening review - after thoughts

Jon Fosse talks a lot about thinking. He also thinks – hard – about talking. His prolific and award-winning career in poetry, prose, and drama, might be said, in fact, to unfold a digressive single thought, uttered always in a characteristically...

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Alan Hollinghurst: Our Evenings review - a gift that keeps on giving

In Alan Hollinghurst’s first novel, The Swimming Pool Library (1988), set during the summer of 1983, the young gay narrator, William Beckwith, lives in Holland Park. That same year and location furnish the setting of the first part of Hollinghurst’s...

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Jonathan Coe: The Proof of My Innocence review - a whodunnit with a difference

Anyone who has been on a British train in the last ten years will have been irritated to distraction by the inane and ubiquitous “See it, say it, sorted” announcement that punctuates every journey, but only Jonathan Coe has channelled that annoyance...

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Olga Tokarczuk: The Empusium review - paranoid prose

In his first of a series of meditations on the sickness that was consuming him, John Donne reflected upon the special kind of paranoia that attends the ill individual. Each person is, by virtue of "being a little world", supremely conscious of a...

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Andrew O'Hagan: Caledonian Road review - London's Dickensian return

Andrew O’Hagan’s new novel, Caledonian Road, feels very much intended to be an epic, or at the very least has designs on being a seminal work, documenting the modern (European) human condition. Character and storyline-rich, dense, and morally...

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Best of 2023: Books

From wandering Rachmaninoff to Ulysses tribute, or a poet’s boyhood in Dundee to sleeplessness and arboreal inner lives, our reviewers share their literary picks from 2023.Prototype Press continues to publish much of the most interesting British...

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First Person: novelist Pip Adam on the sound of injustice

I know it rattles me, so I try to prepare for it. But I am never fully prepared for the noise.The correctional facilities I have visited over the last 30 years are noisy places. A secure building requires strong doors that are opened and shut –...

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Mathias Énard: The Annual Banquet of the Gravediggers' Guild review - a man of infinite death

"Death, as a general statement, is so easy of utterance, of belief", wrote Amy Levy, "it is only when we come face to face with it that we find the great mystery so cruelly hard to realise; for death, like love, is ever old and ever new". In Mathias...

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Warhol, Velázquez, and leaving things out: an interview with Lynne Tillman

Motion Sickness (1991) is the second novel published by the writer, art collector and cultural critic Lynne Tillman. It is difficult, to her credit, to say what it is really about – what makes Tillman a formative figure for much contemporary fiction...

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Caitlin Merrett King: Always Open Always Closed review - looking for an approach while trying to do the approach

Always Open Always Closed is Caitlin Merrett King’s first published work of fiction, and it begins paratactically, with a list of displacements:MS REAL FEELS POSITIONLESS At her desk in the studio (not as often as she would like) or at the kitchen...

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Henry Hoke: Open Throat review - if a lion could speak

I approached Henry Hoke’s fifth book, Open Throat, with some trepidation. A slim novel (156 pages), it seemed, at first glance, to be an over-intellectualised prose-cum-poetical text about a mountain lion.But the novel was so much more: an odd but...

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Andrey Kurkov: Jimi Hendrix Live in Lviv review - a city speaks its multitudes

Rock music helped to subvert the Soviet Union by glamorising youthful rebellion and the West. In the opening scene of Andrey Kurkov’s novel Jimi Hendrix Live in Lviv, a bunch of ageing hippies gather at night on the anniversary of the American...

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