sun 03/07/2022

festivals

Glastonbury Festival 2022: an unexpurgated odyssey around the best party on the planet

Last days of June 2022, I sit in my writing hut. My liver is radioactive jelly, my nose reinforced concrete, my leg muscles marathon-cramped, and poisoned perspiration rolls down my forehead, stinging my eyeballs.You’ll already have seen a trillion...

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theartsdesk at the Dublin International Chamber Music Festival - extraordinary women to the fore

The organisation now proudly and legitimately re-named the Dublin International Chamber Music Festival may be half a century old – of its 52 seasons, those of the two lockdown years can be lopped off the live reckoning – but its outlook is youthful...

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KITE Festival, Kirtlington Park review - engaging speakers and tunes aplenty in the Oxfordshire countryside

The label of "Guardian man" or "Guardian woman" is one that is bandied about as something of an insult these days. But if you can get past the name-calling and think about what might appeal to this imaginary couple (and possibly their kids) while...

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The Great Estate, Redruth review - Cornwall's finest festival extravaganza

For those wishing to avoid the bloated plutocracy of #PlattyJoobs, the Great Estate Festival was the perfect antidote. Set in the beautiful estate of Scorrier House in Redruth, Cornwall it is described as “the most rambunctious garden fete”.There...

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Venice Biennale 2022 review - The Milk of Dreams Part 1: The Giardini

Cecelia Alemani's vision for The Milk of Dreams, the International Exhibition at the Venice Biennale 2022 had me excited – and perplexed – from the moment I heard about it.Never mind the national pavilions which tend to dominate...

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theartsdesk in Bergen: Nattjazz, Nutshell review - Norway makes the case that musical genres are obsolete

Superless are playing live for the first time. Instead of being bottom of a bill, this quartet have a prime spot at Bergen’s Nattjazz festival. Given the eminence of who’s in the band, it makes sense. Ingebrigt Håker Flaten (bass), Eirik Hegdal (...

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theartsdesk at the Dresden Music Festival - orchestral abundance in a spectacular setting

Dresden is filled with music at this time of year. The Dresden Music Festival runs through May and early June, with concerts at all the famous venues – the Frauenkirche, the Semperoper – but also recitals in smaller halls and unlikely settings.My...

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I Get Knocked Down, Brighton Festival review - Chumbawamba singer's film is lively, funny and thought-provoking

One effect of the film I Get Knocked Down, a playfully constructed journey around the life of Chumbawamba vocalist Dunstan Bruce, is to remind that socio-political rage was once woven into the fabric of popular music. Old footage from the band’s...

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The Great Escape 2022, Brighton review - sunshine, queues, and thrilling new bands

My friend George claims to have nightmares about The Great Escape. In them he’s standing in an endless queue, never reaching the front, never entering the venue, and never seeing the band he wants to see. That was his experience the only time he...

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Transgressive Records showcase, The Great Escape, Brighton review - five acts offer intriguing pop alternatives

Onstage at The Old Market in Hove, New York’s Mykki Blanco has been waving around a knot of garlic bulbs as if it were a wand or occult aspergillum. At some point during Blanco’s punchy rendition of 2016 single “Loner”, or possibly the dizzier “...

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theartsdesk in Estonia: Tallinn-Narva Music Week review - solidarity through music on the Russian border

The gentleman in the centre of the picture above is Ivan Dorn. In Ukraine, he’s a pop star. A big pop star. His music, as he puts it on stage during the show opening Tallinn-Narva Music Week, is “pure Ukrainian house music.” Yep, there’s the bing-...

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theartsdesk Radio Show 33: Ukraine special - musicians and artists direct from Ukraine, with co-host Anastasia Piliavsky

The latest edition of Peter Culshaw’s occasional global radio shows focuses totally on Ukraine, looking at music, art, culture and resistance.Culshaw has reported over the years on the Odessa Film and Jazz festivals for theartsdesk, and written for...

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