mon 17/06/2024

dance theatre

Dracula, Mark Bruce Company, Tobacco Factory, Bristol

The rich cocktail of sex, bestiality and possession that lies at the heart of the vampire myth is a perennial crowd-pleaser, a surefire frightener set in an all-too-familiar discomfort zone. Mark Bruce’s rich and reference-laden take on Bram Stoker’...

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Hofesh Shechter/ Sidi Larbi Cherkaoui, Puz/zle, Sadler's Wells

I was trying to remember the last time a choreographer actually tried to make the audience smile in the past few months. Dance-lovers are suckers for guilt. They creep into the dark of their seat to be regaled by their share of the blame for the...

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Mies Julie, Riverside Studios

Snow flurries outside, steam heat within. Writer-director Yael Farber’s transposition of Strindberg from a 19th-century Swedish estate to a contemporary farm in South Africa’s Karoo region on the eve of a storm is so painstakingly evocative that all...

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Onegin, Royal Ballet

The worldwide success of John Cranko’s 1960s version of Tchaikovsky’s opera, in turn an adaptation of Pushkin’s verse-drama, might have taken even the choreographer by surprise. Tchaikovsky himself worried that “Pushkin’s exquisite texture will be...

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DVD: Fairy Tales, Early Colour Stencil Films From Pathé

Although it's impossible to place yourself in the shoes of audiences seeing these other-worldly short films at the dawn of the 20th century, the reaction they provoke now cannot be that different. Delight, surprise and then amazement. These films...

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Cesena, Anne Teresa De Keersmaeker’s Rosas, Sadler’s Wells

Well, if De Keersmaeker made us work hard for our enlightenment earlier in the week, we more than get our reward with her triumphant, astonishing Cesena in the second part of her double-programme designed for the Avignon Festival.Both pieces are...

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Dancer Nigel Charnock 1960-2012

True originals are those who keep contemporary arts bright, and one of the handful of dance performers who set the 1980s and 90s on fire was a bony, white-skinned, bleakly witty and garrulous physical clown with a taste for the extreme called Nigel...

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Wiesenland, Tanztheater Wuppertal Pina Bausch, Sadler's Wells

Let us conclude, after London’s season of World Cities - 10 dance shows - that Pina Bausch was not a choreographer. She began 50 years ago in Essen as a ballet dancer and like so many dancers in that field got bored with the rules. When she took...

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Palermo, Palermo, Tanztheater Wuppertal Pina Bausch, Sadler's Wells

The curtain rises onto a wall that totally blocks the view. A long silence... then, without warning, the wall collapses – to cheers of delight from the audience. For the rest of the evening, the dancers have to pick their way over rubble strewn...

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Água, Tanztheater Wuppertal Pina Bausch, Barbican Theatre

It opens with a siren saying she’s got cramp. She’s glad she’s got cramp because she can stay outside and enjoy the sky. It closes with people blowing water at each other, glugged from plastic bottles. In between nothing happens.Well, that’s not...

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Nefés, Tanztheater Wuppertal Pina Bausch, Sadler's Wells

Istanbul, even more than Rome, is the point in the world where tectonic plates of civilisations collide: Europe, Arabia and Asia, Muslim Istanbul and Christian Constantinople, fundamentalists and secularists, 21st-century women and 15th-century men...

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Bamboo Blues, Tanztheater Wuppertal Pina Bausch, Barbican Theatre

Premiered in 2007, Bamboo Blues was generated by a visit to Kolkata; and with the simplest of means, designer Peter Pabst conjures the vast landscapes of India. The first half unfolds against a backdrop of white muslin curtains rippling in the wind...

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