China
Blu-ray: Flowers of ShanghaiTuesday, 22 June 2021
Rounding out a decade of personal success – beginning with his Cannes Jury Prize-winning The Puppetmaster (1993), followed by a best director award for Good Men, Good Women (1995) – the Taiwanese director Hou Hsiao-hsien... Read more... |
Chinese Arts Now Festival review - comedy of the diasporaSaturday, 13 March 2021
Chinese Arts Now was founded in 2005 and aims to produce and present work that explores Chinese themes, stories and art forms in the UK. Its annual festival includes a comedy night (presented in conjunction with Soho Theatre), and this year three... Read more... |
76 Days review - disturbing record of the initial outbreak of Covid-19Wednesday, 20 January 2021
It is probable that no other document gets closer to the direct experience of frontline workers and victims of Covid-19 than the documentary 76 Days. It is also true that the film is not very enjoyable. Nor, sadly, does it feel especially unique.... Read more... |
Blu-ray: Goodbye, Dragon InnTuesday, 01 December 2020
In his exclusive half-hour-plus interview for distributor Second Run, the affable Tsai Ming-Liang makes a striking admission: “I make very uncommercial films.” Viewers of the extra will most likely have just finished Goodbye, Dragon Inn (Bú sàn) (... Read more... |
Album: Emmy the Great - April / 月音Thursday, 08 October 2020
Emma-Lee Moss has a lovely voice. It conveys an ache, a longing, but is sweet too, and well-mannered. Combine this with an aptitude for literate, thought-provoking lyrics and hooky songs, and Emmy the Great is quite the package. It’s a mystery, then... Read more... |
Mulan review - Niki Caro's live action take on the '98 classic underwhelmsFriday, 04 September 2020
Whilst New Mutants slips surreptitiously into cinemas, Disney’s live-action spin on Mulan arrives with more fanfare on their streaming platform, even if it does come with a price-tag of nearly £20.Director Niki Caro (Whale Rider... Read more... |
Album: Rui Ho - Lov3 & L1ghtFriday, 04 September 2020
A new and very strange kind of pop music has bubbled up over the past half-decade plus. It’s internationalist, rooted in both underground electronics and the most populist styles, bound up with playful but sometimes terrifying ultra high definition... Read more... |
Shutdown: The Virus That Changed Our World, Sky Documentaries review - a chaotic response and an uncertain futureWednesday, 03 June 2020
It’s too early for a definitive account of the Covid-19 pandemic, and this was very much a Sky News version of what we’ve been through so far. Although it seems the virus has peaked and we’re entering a tentative stage of partial de-lockdown, the... Read more... |
#aiww: The Arrest of Ai Weiwei, Hampstead Theatre online review – imbued with an urgent new relevanceTuesday, 28 April 2020
London’s Hampstead Theatre has recently been very successful in bringing some of its best shows to a wider public – despite coronavirus. This week, it’s the turn of Howard Brenton’s #aiww: The Arrest of Ai Weiwei, which was first staged at this... Read more... |
Valerie Hansen: The Year 1000 review - the first globe-trotting ageSunday, 12 April 2020
In 1018, the Princess of Chen – a member of the Liao dynasty that ruled northern China – was buried in a treasure-filled tomb in Inner Mongolia. Excavated in the 1980s, her grave contained luxury items sourced in Egypt, Syria, Iran, India, Sumatra... Read more... |
Clarence Clemons: Who Do I Think I Am? review - documentary about Springsteen's saxophonistSaturday, 11 April 2020
I must confess the sum total of my knowledge of Clarence Clemons before watching this documentary was that he was, for many years before his death in 2011 at the age of 69, the mighty saxophone player in Bruce Springsteen's E Street Band. And what a... Read more... |
The Iron Mask review - preposterous multi-national fantasyWednesday, 08 April 2020
Director Oleg Stepchenko’s follow-up to his 2014 yarn Forbidden Kingdom swaps the latter’s Transylvania for a fantastical computer-generated frolic round 18th century Russia and China, as pioneering cartographer Jonathan Green (Jason Flemyng) sets... Read more... |
