Chekhov
Interview: Director Peter GillWednesday, 29 February 2012
There is a simple explanation to why Cardiff-born Peter Gill has never directed in his home city, despite the fact that many of his own plays are set in the Catholic, working-class Cardiff of his youth. “I’d never been asked,” states Gill matter-of-... Read more... |
The Cherry Orchard, National TheatreWednesday, 18 May 2011
A stench of decay rises from Howard Davies's production of this 1903 drama by Anton Chekhov. Ranyevskaya’s wooden home, designed with characteristic visual eloquence by Bunny Christie, is quietly rotting. Weeds sprout through cracks, the windows are... Read more... |
theartsdesk in Moscow: Isaac Levitan at the Tretyakov GallerySunday, 06 March 2011
The Tretyakov Gallery is currently housing a landmark exhibition to mark the 150th anniversary of Isaac Levitan. His glorious “mood landscapes” catch the understated beauty of provincial Russia, with an often gloomy philosophical perspective behind... Read more... |
The Cherry Orchard, Sovremennik, Noël Coward TheatreFriday, 28 January 2011
Plays these days come not in single spies but in battalions of two, whether you're talking The Master Builder, King Lear or The Cherry Orchard, the last of which closes the visiting Sovremennik Russian theatre troupe's three-play season only to... Read more... |
Three Sisters, Sovremennik, Noël Coward TheatreTuesday, 25 January 2011
Anyone who's imbibed the common wisdom that Russians play Chekhov for the comedy - one eye wet, the other dry and smiling - might have been alarmed to find the Moscow Sovremennik Theatre's second London offering so doomy and subdued. And the more... Read more... |
theartsdesk in Moscow: The Sovremennik Theatre Visits LondonSunday, 16 January 2011
Twenty-odd years ago, on the eve of the break-up of the Soviet Union, the country’s cultural world was anticipating cardinal changes – anything from a series of closures to a radical alteration in which the way art would be produced under new... Read more... |
A Jubilee for Anton Chekhov, Hampstead TheatreThursday, 14 January 2010
The Russians have always been good at writers' houses. The Soviets especially. When I first saw Tolstoy's house his blue smock was hanging behind the door, a manuscript was on his desk but the chair pushed back as if he'd nipped out for a moment and... Read more... |
Extract: Are You There, Crocodile?Thursday, 14 January 2010
In a life so short it is always a shock to remember the fact. Chekhov lost more friends than most people do by 60, but he has gained hundreds of thousands who love that fugitive figure, its guardedly attentive attitude, the merciless word in the... Read more... |
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