Catholicism
Camino Skies review - NZ documentary brings no surprisesWednesday, 06 May 2020
A documentary about six middle-aged Antipodeans, four women and two men, walking the 500 mile pilgrims’ path through France and Spain to the cathedral of Santiago de Compostela sounds uplifting, inspiring, even fun. Just the ticket, perhaps, when... Read more... |
Madonna, London Palladium review - a fiesta of the surreal and the fiercely fabulousFriday, 31 January 2020
The first time I heard Madonna, I was 8 years old at a school disco. Horrified parents, who came to pick us up as we jumped up and down yelling along to “Like A Virgin” in a fluorescent flurry of topknots, puffer skirts and lace gloves, subsequently... Read more... |
Berlioz Requiem, Spyres, Philharmonia Orchestra, Nelson, St Paul's Cathedral review - masses and voidsSaturday, 09 March 2019
Asked to choose five or ten minutes of favourite Berlioz on the 150th anniversary of his death (yesterday), surely few would select anything from his giant Requiem (Grande Messe des Morts). This is a work to shock and awe, not to be loved - music... Read more... |
Derry Girls, Series Two, Channel 4 review - welcome back, gangWednesday, 06 March 2019
When Derry Girls premiered on Channel 4 in early 2018, there was little fanfare. But it’s been a whirlwind year for the four girls from Derry (and the wee English lad), capturing British hearts before conquering the US through Netflix... Read more... |
theartsdesk at the Three Choirs Festival - religion, passion and Nordic fakeryTuesday, 31 July 2018
Not to be outdone by the Proms, the 2018 Three Choirs Festival in Hereford burst into action on Saturday with a major choral work, the Mass in D, by music’s most famous suffragette, the majestic figure of Dame Ethel Smyth. Dame Ethel embodies... Read more... |
Apostasy review - trouble in the Jehovah's Witnesses' KingdomSaturday, 28 July 2018
Religion’s desire to fulfil humanity too often denies it instead. The cruelty of inflexible faith which breaks fallible adherents on its iron rules is at the core of this family drama, written and directed by former Jehovah’s Witness Daniel... Read more... |
Derry Girls, Channel 4 review – bring on series two!Friday, 09 February 2018
When first announced, Derry Girls seemed a strange prospect. Derry during The Troubles wasn’t an obvious choice for a sitcom; neither was writer Lisa McGee, whose only previous comedy outing London Irish was slammed for negative... Read more... |
La forza del destino, Welsh National Opera review - rambling drama, fine musicSaturday, 03 February 2018
David Pountney’s tenure at WNO has been an almost unqualified success, despite some eccentricities of repertoire and a certain obstinacy in the matter of new commissions. His own productions have included at least three of unforgettable quality. He... Read more... |
Gunpowder, BBC One review – death, horror, treason and a hint of farceSunday, 22 October 2017
Much is being made of the fact that Kit Harington is not only playing the Gunpowder Plot mastermind Robert Catesby, but is genuinely descended from him (and his middle name is Catesby). However, despite its factual underpinnings and screenwriter... Read more... |
Broken, BBC One series finale review - Seán Bean's quiet immensityWednesday, 05 July 2017
The Catholic Church hasn’t enjoyed a good press on screen lately. Nuns punished Irishwomen for their pregnancies in Philomena. Priests interfered with altar boys in Spotlight. And in The Young Pope a Vatican fixated on conservatism and casuistry... Read more... |
Broken, BBC One review - things look bleak in McGovernvilleWednesday, 31 May 2017
This is Jimmy McGovern, so it’s no surprise to find ourselves up north and feeling grim. The prolific screenwriter’s latest drama series is located in what is described only as “a northern city” (though apparently it’s 60 miles from Sheffield, which... Read more... |
Mary Magdalene: Art's Scarlet Woman, review - 'lugubrious'Friday, 07 April 2017
Mary Magdalene: Art's Scarlet Woman (BBC Four) is, says art critic Waldemar Januszczak, a film about a woman who probably never existed. "So why,” he asks, “are we so obsessed with her?” He delivers the answer in breathy, lugubrious tones as if... Read more... |
