mon 02/12/2024

BBC One

Until I Kill You, ITV1 review - superb performances in a frustrating true-crime story

The latest true-crime adaptation about a murderous man and his female victims turns its star into a bloody mess on a hospital table, her vital signs flatlining. And that’s just halfway through, with two episodes to go. At least the second half...

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Ludwig, BBC One review - entertaining spin on the brainy detective formula

The latest incarnation of David Mitchell, TV actor, looks at first sight much like the familar one from Peep Show and Back. Not a pufflepant in sight. His only costume change for Ludwig is a pair of wire-frame spectacles. HIs role is...

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Nightsleeper, BBC One review - strangers on a runaway train

“Let the train take the strain”, as the old advertising slogan urged us. The train in this six-part drama has to soak up a whole world of strain, as it’s taken over by cyber-hijackers who demand a huge ransom before they’ll consider relinquishing...

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theartsdesk Q&A: David Morrissey on (among other things) the return of 'Sherwood' and 'Daddy Issues'

Without ever getting embroiled in tabloid mayhem, even if he has confessed that he’d like to have a go on Strictly, David Morrissey has patiently turned himself into a quiet superstar.Having cut his acting teeth as a teenager at the Everyman Theatre...

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Sherwood, Series 2, BBC One review - maybe time isn't such a great healer

The first series of James Graham’s Sherwood, shown in June 2022, introduced us to the Nottinghamshire town of Ashfield, a former mining community devastated by pit closures and the miserable aftermath of the 1984 miners’ strike. The town was torn by...

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Freddie Flintoff: Field of Dreams on Tour, BBC One review - a passage to India with the Preston irregulars

It seems cricketer-turned-TV star Freddie Flintoff was lucky to survive his crash in a Morgan three-wheeled roadster in December 2022, and his recuperation has been painful and traumatic. As he explained in the opening episode of his second Field of...

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theartsdesk Q&A: Lucie Shorthouse is flying high with 'We Are Lady Parts' and 'Rebus'

Lucie Shorthouse is enjoying some high-profile TV action with her roles in Channel 4’s We Are Lady Parts, about the adventures of an all-woman Muslim punk band, and in BBC One’s reincarnated Rebus. In the former, she plays the band’s niqab-clad...

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Rebus, BBC One review - revival of Ian Rankin's Scottish 'tec hits the jackpot

The previous incarnation of Ian Rankin’s Scottish detective on ITV starred, in their contrasting styles, John Hannah and Ken Stott. For this Rebus redux, arriving nearly 25 years after the original first series began, screenwriter Gregory Burke has...

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Blue Lights Series 2, BBC One review - still our best cop show despite a slacker structure

The first season of Blue Nights was so close to police procedural perfection, it would be hard for season two to reach the same heights. Overall, it doesn’t, though there are still special moments.After an exhilarating start, its multiple narrative...

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This Town, BBC One review - lurid melodrama in Eighties Brummieland

Industrious screenwriter Steven Knight has brought us (among many other things) Peaky Blinders, SAS: Rogue Heroes and even Who Wants To Be a Millionaire?, but This Town may not be remembered as one of his finest hours. Here, we find Knight...

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The Way, BBC One review - steeltown blues

This three-part drama arrives trailing clouds of big-byline glory. Michael Sheen directed and produced it (as well as making fleeting appearances on screen), James Graham wrote it and documentary-maker Adam Curtis co-produced it.But what is it? Part...

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Kin, Series 2, BBC One review - when crime dynasties collide

The end of the first series of Kin found Dublin’s Kinsella crime family ridding themselves of bloodsucking drug baron Eamon Cunningham, but this was not an unalloyed blessing. As this second series opens, the Kinsellas are having to make new...

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