fri 10/05/2024

art collectors

Video: The Arts Desk/London Art Fair Debate

Matthew Collings was snowed in in Norfolk, so was sadly unable to join us, but the weather didn’t defeat The Arts Desk/London Art Fair debate. The Art Newspaper’s market expert Melanie Girles and TAD critic Mark Hudson rose to the challenge, while I...

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theartsdesk at the London Art Fair: Debate

“The new job of art is to sit on a wall and get more expensive,” the late Robert Hughes once said. In a recent interview with The Wall Street Journal, gallerist and dealer Larry Gagosian was particularly revealing. “I wish I was in luxury goods,” he...

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Frieze Masters Art Fair, Regent's Park

Things have come to a pretty pass when the old is a breath of fresh air and the new just old hat, but the Frieze Masters art fair in Regent's Park, which closes this weekend, is just that. New sister to Frieze London, which features art since 2000,...

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Headhunters

Despite being called Roger Brown, the protagonist of Morten Tyldum's wickedly stylish and knowing thriller (adapted from Jo Nesbø's bestseller) is Norwegian, and earns himself a comfortable living as a corporate headhunter. Prowling the coolly...

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The Underbelly Project: New York

New York, late August 2010I am at the opening of a swanky new gallery. Around me, the latest daubs by the hottest names adorn the walls of room after room. It’s worth mentioning a couple of discrepancies from your regular opening. This is a canapé-...

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Art for the Nation: Sir Charles Eastlake, National Gallery

We are still acknowledging our 21st-century debts to the energy, curiosity, determination and passion for discovery of a host of Victorian polymaths, and here is another. Sir Charles Eastlake (1793-1865) was a painter, scholar, author, collector and...

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British Masters, BBC Four/ The World's Most Expensive Paintings, BBC One

James Fox: Ludicrous assertions about British Art

Does James Fox fancy himself as the Niall Ferguson of art history? I ask because clearly this latest addition to the growing pantheon of television art historians wants to do for British art what Ferguson sought to do for the British Empire. He...

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The Holburne Museum, Bath: In With the New

Lightness is everything: the refurbished Georgian museum newly clad in glass

Gleaming, shimmering, full of pizzazz, glitz and unashamed bling, although of the 18th-century sort, as befits its role as the most cheerfully mixed up and glittering show of baubles in Bath, the Holburne Museum reopened in May after three years...

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Fake or Fortune?, Episodes 1 & 2, BBC One

Fake or Fortune? on BBC One, with Fiona Bruce and art dealer and sleuth Philip Mould, ought to have been called CSI: Cork Street for its blend of fine art and forensic science. They were trying to resolve whether a Monet was in fact a Monet, using a...

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Government Art Collection: At Work, Whitechapel Gallery

It owns almost twice as many artworks as the Arts Council, and two-thirds of its 13,500-strong hoard is on display at any given time, yet it’s a collection the public never usually gets to see. Since its foundation in 1898, the Government Art...

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theartsdesk in Hong Kong: Between the Devil and the Deep Weiwei

Ai Weiwei dropping a Han Dynasty urn (1995)

When people talk incessantly of freedom of speech, it means they are proud to have it or desperate to have it or desperate to defend it, or a mixture of all three. In Hong Kong, where I went at the end of May for the fourth edition of ART HK,...

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Perspectives: Robson Green and the Pitmen Painters, ITV1

The story of the Pitmen Painters, a group of Northumbrian miners who decided to study art appreciation in their spare time and developed into a group of untrained but powerfully expressive artists, has been documented in a book by William Feaver...

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