Arcola
CD: Yeti Lane - L'AuroreThursday, 24 March 2016
It's been a quite while since 2012's critically acclaimed album The Echo Show. In that time, Parisian psych duo Yeti Lane have been backing band for Can legend Damo Suzuki, played with the fractured genius behind Brian Jonestown Massacre, Anton... Read more... |
Best of 2015: TheatreTuesday, 29 December 2015
Say what you will about London theatre during 2015, and by my reckoning it was a pretty fine year, there certainly was a lot of it. I can't recall a year that brought with it a comparable volume of openings, not least during September and December,... Read more... |
Howard Barker Double Bill, Arcola TheatreWednesday, 02 December 2015
Two plays for the price of one. What’s not to like? Particularly when they resonate so strongly with each other on a hard, uncompromising theme. Broadly, that theme is love and war, sex and death, but more specifically, both plays home in on the... Read more... |
The Divided Laing, Arcola TheatreTuesday, 24 November 2015
RD (“Ronnie”) Laing was a typically eccentric 1960s guru. A Scottish psychiatrist who was one of the leading lights of the anti-psychiatry movement, his 1960 classic The Divided Self helped a whole generation to a deeper understanding of mental... Read more... |
Eventide, Arcola TheatreThursday, 08 October 2015
His style is probably too subtle to be described as causing anything as noisily obtrusive as a splash, but Barney Norris’s debut play Visitors certainly created significant ripples last year. This follow-up drama is also, on the surface at least,... Read more... |
Ghost from a Perfect Place, Arcola TheatreWednesday, 17 September 2014
Few contemporary playwrights have enjoyed as many revivals as polymath Philip Ridley. The first two of his 1990s gothic East End trilogy — The Pitchfork Disney and The Fastest Clock in the Universe — have recently been staged again to great effect... Read more... |
The Pitchfork Disney, Arcola TheatreThursday, 02 February 2012
Critics can also be historians. In my opinion, the great new wave of 1990s British theatre starts not with Sarah Kane’s Blasted in 1995, nor with Mark Ravenhill’s Shopping and Fucking a year later, but with polymath Philip Ridley’s amazing debut,... Read more... |
Anna Karenina, Arcola TheatreMonday, 21 March 2011
Frankenstein, Pride and Prejudice, Tess of the D’Urbervilles, Great Expectations: it’s getting harder and harder to name a classic novel that hasn’t found itself covered in greasepaint and pushed out onto the stage. With adaptations... Read more... |
The Painter, Arcola TheatreMonday, 17 January 2011
Joseph Mallord William Turner - Billy to his intimates, such as he had - is the notional centre of The Painter, a snapshot of the great British landscape artist as a young iceberg. Toby Jones is the main draw in this world premiere of Rebecca... Read more... |
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