mon 02/12/2024

ancient Greece

The Lightning Thief: The Percy Jackson Musical, The Other Palace - all Greek to me

Percy Jackson is neither the missing one from Jackie, Tito, Jermaine, Marlon and Michael, nor an Australian Test cricketer of the 1920s, but a New York teenager with dyslexia and ADHD who keeps getting expelled from school. He’s a bit of a...

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Time Bandits, Apple TV+ review - larky expanded rerun of the Gilliam/Palin classic

“Family-friendly fun” seems to have mutated over the years into elaborate films featuring high-octane animation, starry voicing and often mushy sentiments. In older children’s TV, gone are the days of actual humanoids mucking about with stun guns....

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Trojan Women / Thrown, Edinburgh International Festival 2023 reviews - passionate all-women productions

Trojan Women, Festival Theatre ★★★★★You can feel the white-hot intensity radiating from the stage virtually from start to finish of this remarkable, hypnotic production from the National Changgeuk Company of Korea and Singaporean director...

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Antigone, Regent's Park Open Air Theatre review - Sophocles rewritten with purpose and panache

Antigone, the forceful young woman who takes on the male establishment, has long resonated with idealists; Sophocles' play, written about 441 BCE, has been revived and adapted frequently, often reflecting different times and causes. Among others,...

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Amalie Smith: Thread Ripper review - the tangled web we weave

Sitting in the park on a hot summer’s day, life began to imitate art. I had been soaking up the sun’s now overpowering rays for over an hour and was beginning to feel its radiating effects.Golden green filaments of grass moved back, the trees swayed...

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Girl on an Altar, Kiln Theatre review - machismo, murder and motherhood in mesmerising myth

Playwrights return to classical myths for two main reasons – to shine a light on how we live today and because they're bloody good yarns.Marina Carr's re-telling of Clytemnestra's story is boldly innovative in its conception and execution, but...

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Laura Beatty: Looking for Theophrastus review - adventures in psychobiography

Laura Beatty is a kind of Shirley Valentine figure in contemporary English literature. A decade and a half ago she published an astonishing debut novel entitled Pollard about female emancipation from the strictures of English life. In that story her...

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The Seven Pomegranate Seeds, Rose Theatre, Kingston review - misogynist Euripides stands corrected

The resurrection of female voices from ancient Greek myth is so common now that one might imagine a grand panjandrum behind the scenes had set down a long-range mission – rather as they do in the fashion industry – which makers and producers...

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15 Heroines, Jermyn Street Theatre online review - putting the women back into Greek myth

Women have an awful time of it in the Greek myths. Raped, abandoned, blamed for murdering people, blamed for not murdering people – you name it, it’s happened to an Ancient Greek woman, and they didn’t even get to talk about it themselves. Ovid...

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The Thread, Sadler's Wells Digital Stage review - Greek folk and contemporary unite

The latest Sadler’s Wells digital offering is 2019’s The Thread, a luminous collaboration between choreographer Russell Maliphant and Oscar-winning composer Vangelis (Chariots of Fire, Blade Runner) for the Athens-based production company Lavris. It...

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Medea, Internationaal Theater Amsterdam, Barbican review - lacerating contemporary tragedy

Hallucinatory theatre has struck quite a few times in the Barbican's international seasons. On an epic scale we’ve had the Shakespeare compendiums Kings of War and Roman Tragedies from Toneelgroep Amsterdam, newly merged with the city's...

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Ariadne auf Naxos, Longborough Festival review - appetising energy and wit

Much as I love Strauss’s Ariadne in its final form, I have a sneaking nostalgia for the original version (attached to Hofmannsthal’s adaptation of Molière’s Le bourgeois gentilhomme), which had Zerbinetta and her companions popping up after the...

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