America
Adam Sweeting
An Australian who emigrated to New Zealand in 1965, Roger Donaldson cut his teeth in documentaries and TV before launching into a career in feature films. His first feature, Sleeping Dogs (1976), on the unlikely theme of a New Zealand plunged into totalitarianism, immediately attracted attention, and after he made Smash Palace (1982) Hollywood came calling. Donaldson embarked on a string of high-profile projects which included The Bounty (with Mel Gibson and Anthony Hopkins), No Way Out (an espionage drama starring Kevin Costner), The Getaway (with Alec Baldwin and Kim Basinger), the sci-fi Read more ...
Nick Hasted
The subtitle of Richard Nelson’s new trilogy suggests an anti-Trump polemic. Instead, its miraculous, almost invisible craft fulfils the President’s most hollow promise. It restores full humanity to a family of lower-middle class Americans who often feel slighted and helpless. As they gather around their kitchen table, the Gabriels talk and live more fully than most media and politicians ever really believe of those they describe and rule. Nelson has said his aim is “verisimilitude”, a seemingly modest ambition which wonderfully succeeds.Like Nelson’s The Apple Family Plays, seen at the 2015 Read more ...
graham.rickson
Gražyna Bacewicz: Chamber Music Diana Ambache and friends (Ambache Recordings)This is an easy disc to love. Gražyna Bacewicz’s music is consistently good, often exceptionally so, and it's gratifying that new recordings on Hyperion and Chandos have appeared in recent years. Pianist Diana Ambache’s wide-ranging compilation contains some brilliant stuff, the quality of the performances reflecting her evangelical powers of persuasion. Every player is on inspired form, beginning with the soloists in the invigorating Quartet for Four Violins – a combination which works so well you wonder why Read more ...
Matt Wolf
"We live past hope," or so remarks the AIDS-afflicted drag queen-turned-prophet, Prior Walter (Andrew Garfield), late in Angels in America. But surely not even Tony Kushner, author of the eight-hour theatrical landmark that some while ago entered the canon of contemporary classics, could have hoped for lightning to strike twice when it comes to the National Theatre and his play.Twenty-five years ago, this same address launched Kushner as a major name on the back of Declan Donnellan's flinty British premiere of the diptych's first and more immediately accessible half, Millennium Approaches, Read more ...
Adam Sweeting
In the midst of a general election campaign and with Euro-shrapnel flying around our ears, it’s an intriguing moment at which to revisit Britain’s history as a nuclear power. Although this film from BBC Science concentrated on the factual and technical aspects of building the British atomic and hydrogen bombs, the story was inescapably entwined with power, politics and national identity.It was the Manchester-based scientist Ernest Rutherford who discovered the atom in 1911, and it was the Cockcroft-Walton generator (developed at Cambridge in the 1930s) which first split the atom – the sons of Read more ...
Adam Sweeting
The simplest ideas are often the best. Here’s one – take AC/DC’s Tyneside-born vocalist Brian Johnson and get him to chew the fat with a list of fellow rock’n’roll veterans. Later in the series he gets to meet Sting, Nick Mason and Lars Ulrich, but for this first show (on Sky Arts) the guest was Roger Daltrey of The Who.The formula worked remarkably well. Johnson kicked it off by driving down to Daltrey’s old stomping ground of Shepherd's Bush in a battered Morris Minor (“that’s the first car I bought my missus,” Daltrey recalled). After a brisk tour of a few local landmarks from The Who’s Read more ...
Veronica Lee
If Robert King and Michelle King, creators of The Good Wife, took the Joss Whedon line on sequels – “They are inevitably awful” – then we would not have The Good Fight (More4) gracing our screens. But, thankfully, this sequel (actually, more a spin-off) is far from awful – it's very, very good. You could say this is Frasier (born out of Cheers) rather than Joey (Friends).The Kings decided on a new USP for the legal drama set in Chicago – three women in the lead roles, rather than The Good Wife's one, Alicia Florrick (Juliana Margulies) – keeping some of the favourite characters from the Read more ...
Tim Cumming
He’s in his ninth decade, but with no signs of slowing down on stage or in studio, and the good news is that, while God's Problem Child may be no essential release, it remains hugely enjoyable – and that’s mainly down to the lucky seven new songs from Willie, cowboy koans co-written with producer Buddy Cannon.Less compelling are the half dozen written by others, some of which tend towards the cliched and over-egged. Willie sings them well enough – he could do that in his REM sleep – but they are not a patch on what he brings to the party himself. The likes of “Lady Luck”, “Still Not Dead Read more ...
David Nice
Bomb-dropping is the new black again in Trump's dysfunctional America. Awareness of that contributed to the crackling cloud of dynamic dread hanging over last night's concert staging of John Adams's opera-oratorio - my description, not his - about the July 1945 desert testing of the plutonium bomb under the supervision of self-divided Robert Oppenheimer, an American Faust. But then the music's insistent stepwise descents towards the centre of the earth, in various modes and illuminated colours, the claustrophobic volume of much of the variegated score in the no-escape close-ups of the Read more ...
Liz Thomson
The 23rd studio album from the artist formerly known as John Cougar was originally destined to be a religious album, but the songs he and Carlene Carter wrote turned out to be not quite so God-fearing as all that, though there’s certainly a discernible ol’ timey vibe, what with the pedal steel and fiddle and all. There’s a joyous setting of Woody Guthrie’s “My Soul’s Got Wings”, one of many previously unsung lyrics now archived in Tulsa, in which Guthrie dreams of a heaven “full of joy”. Angels abound, but the devil rears his head among the Sad Clowns & Hillbilllies.Recorded in Indiana, Read more ...
Russ Coffey
Best Troubadour is Bonnie Prince Billy's musical tribute to his "forever hero", country singer Merle Haggard. Haggard was best known for his song "Okie from Muskogee", a wry homage to small-town Southern values. Students of country music, however, remember a different Merle – the armed robber turned musician and iconoclast. In his own bohemian way Bonnie Prince Billy, aka Will Oldham, is another sort of radical. And on Best Troubadour he interprets Haggard's artistic vision through 16 of his lesser-known songs.The album opens with "The Fugitive", whose Read more ...
Nick Hasted
Alice Doesn’t Live Here Any More was Ellen Burstyn’s baby. Determined to use her clout after The Exorcist to make a film from a woman’s viewpoint, she offered Robert Getchell’s script to a director who confessed he knew nothing about women. “But,” Martin Scorsese told her, “I’d like to know.”Alice is the odd one out between Mean Streets (1973) and Taxi Driver (1976): Scorsese’s game attempt at both a studio film and a “women’s picture”. But its first five minutes couldn’t be anyone else then: a prologue in a Technicolor-red, Wizard of Oz dream of childhood, where eight-year-old Alice scuffs Read more ...