wed 25/12/2024

actors

Bogart: Life Comes in Flashes review - a Hollywood legend, warts and all

It might be a push to call this documentary a feminist slant on Humphrey Bogart, but it wouldn’t quite be a shove. Northern Irish filmmaker Kathryn Ferguson’s work has often concerned itself with identity and gender politics, and her narrative here...

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The Commander review - the good Italian

Patriotic Italian films set during the Fascist war effort are understandably rare UK releases. Submarine commander Salvatore Todaro (Pierfrancesco Favino) was, though, an honourable warrior-poet who director Edoardo De Angelis seeks to separate from...

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The Dead, ANU, Landmark Productions, MoLI Dublin review - vital life, love and death in perfect equilibrium

James Joyce’s Misses Morkan have gone up in the world for their Christmas gathering this year, from the upper part of a “dark, gaunt house” on the Liffey to the splendour of No. 86 St Stephen’s Green, now home to the Museum of Literature Ireland....

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[title of show], Southwark Playhouse review - two guys and two girls write about writing, delightfully

Not just a backstage musical, a backroom musical!In the 70s, Follies and A Chorus Line took us into the rehearsal room giving us a chance to look under the bonnet to see the cogs of the Musical Theatre machine bump and grind as a show gets on its...

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Natalie Palamides: Weer, Soho Theatre review - a romcom of two halves

Natalie Palamides doesn't do things by halves. Actually, the Los Angeles-based clown does just that in her inventive new show Weer  – a hit at the Traverse Theatre at this year's Edinburgh Fringe – in which she plays the male and female...

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Blu-ray: The Oblong Box

The Oblong Box is a phantom 1969 follow-up to Michael Reeves’ Witchfinder General, sharing star Vincent Price and much cast and crew, after the brilliant young British director’s OD forced his dismissal days before shooting. It also began...

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Venom: The Last Dance review - Tom Hardy's people-eater bows out

The once invincible superhero genre may have finally hit the skids, but Tom Hardy’s alien anti-hero stays intermittently fresh in his saga’s supposed finale, styled by writer-director Kelly Marcel as a partial romcom between parasitic, people-eating...

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Land of the Free, Southwark Playhouse review - John Wilkes Booth portrayed in play that resonates across 160 years

Straddling the USA Presidential elections, Simple8’s run of Land of the Free could not be better timed, teaching us an old lesson that wants continual learning – the more things change, the more they stay the same.We open on the Booth family kids...

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theartsdesk Q&A: David Morrissey on (among other things) the return of 'Sherwood' and 'Daddy Issues'

Without ever getting embroiled in tabloid mayhem, even if he has confessed that he’d like to have a go on Strictly, David Morrissey has patiently turned himself into a quiet superstar.Having cut his acting teeth as a teenager at the Everyman Theatre...

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theartsdesk Q&A: Lucie Shorthouse is flying high with 'We Are Lady Parts' and 'Rebus'

Lucie Shorthouse is enjoying some high-profile TV action with her roles in Channel 4’s We Are Lady Parts, about the adventures of an all-woman Muslim punk band, and in BBC One’s reincarnated Rebus. In the former, she plays the band’s niqab-clad...

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Blu-ray: The Small Back Room

Powell and Pressburger’s least remembered Forties film is shrouded in Blitz darkness, deepening in the warped flat where alcoholic weapons expert Sammy (David Farrar) stares at a whisky bottle as if it’s a bomb. Following the vivid English fantasias...

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Arcadian review - Nic Cage underacts at the end of the world

Benjamin Brewer’s post-apocalyptic, Nic Cage-starring creature feature finds a sombre interest in fatherhood and growing up in screenwriter Michael Nilon’s bleak scenario, after Paul (Cage) gathers up two abandoned babies with black smoke blooming,...

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