wed 30/04/2025

1980s

The Darkest Part of the Night, Kiln Theatre - issues-led drama has its heart in the right place

Music plays a big part in the life of Dwight, an 11-year-old black lad growing up in early 80s Leeds. He doesn't fit in at school, bullied because he is "slow", and he doesn't fit in outside school, would-be friends losing patience with him.But he...

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Sherwood, BBC One review - a traumatic journey through a painful past

Renowned for an impressive body of work that includes This House, Quiz and Brexit: The Uncivil War, playwright and screenwriter James Graham has looked inwards and backwards for his new six-part series Sherwood.Set in a former mining community in...

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Album: Neneh Cherry - The Versions

Initially, the weird thing about this is it’s being released as a Neneh Cherry album rather than a compilation of artists doing Neneh Cherry covers, which is what it is. That said, awareness slowly grows of a kindred sensibility to recent Neneh...

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I Get Knocked Down, Brighton Festival review - Chumbawamba singer's film is lively, funny and thought-provoking

One effect of the film I Get Knocked Down, a playfully constructed journey around the life of Chumbawamba vocalist Dunstan Bruce, is to remind that socio-political rage was once woven into the fabric of popular music. Old footage from the band’s...

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theartsdesk Q&A: Marc Almond of Soft Cell

Soft Cell, the duo consisting of Marc Almond and Dave Ball, announced they were calling it quits in 2018. The two sold out shows at the 02 in London were supposed to be their swan song, waving goodbye to their Soft Cell days. But as their eponymous...

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Album: The Waterboys - All Souls Hill

This album starts with an unfortunate sound. Its title track begins with the kind of drum loop that rock bands from U2 on down adopted in the early 1990s having heard Massive Attack and Happy Mondays and deciding that they were going to get on the...

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Album: Soft Cell - Happiness Not Included

When Soft Cell first caught the imagination of the nation it was a time of hope, opportunity and change. One of the first bands to bring technology to the top of the charts, they seemed to herald a new age after the grey years of the Seventies. They...

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Music Reissues Weekly: Fame - Jon Savage’s Secret History Of Post-Punk (1978-81)

“The Method” by The Method Actors was issued as the top side of a single in July 1981. Although recorded in London during September 1980 and only released by a British label, the band – a duo of guitar/vocals and drums/vocals – were from Athens,...

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Wolf Cub, Hampstead Downstairs review - haunting solo play about the American nightmare

Ché Walker claims he wrote Wolf Cub, now in the Hampstead Downstairs studio space, in a two-day blitz prompted by Donald Trump’s election win in 2016. He was working in Atlanta at the time, the home city of Claire Latham, the solo performer for...

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The Mission, Chalk, Brighton review - the hits, delivered straight, to an enthused crowd

“Play something we can dance to,” heckles a fan. “Fuck off, we are not a dance band,” fires back Wayne Hussey, leader of The Mission. He’s right. They’re not. But still there is dancing.One especially notable aspect of this gig is the total and...

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Thatcher & Reagan: A Very Special Relationship, BBC Two review - when the Iron Lady met the Cowboy President

This two-part documentary about how the Eighties were partly shaped by the British Prime Minister and the US President was obviously planned long before the Russians invaded Ukraine, but it’s a powerful illustration of how history doesn’t stop, but...

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Music Reissues Weekly: The Prefects - Live At The Festival Suite 1978, Un-Scene! Post Punk Birmingham 1978-1982

It was going to be great. Birmingham’s Digbeth Rag Market was hosting 1977’s highest-profile punk festival on 17 July. The Clash were headlining. Also billed were The Heartbreakers, Rich Kids, The Saints, Shagnasty, Stinky Toys, Subway Sect and...

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