1970s
New Music Lockdown 6: David Gilmour, Taylor Swift, Prince, Bat For Lashes and BlossomsWednesday, 13 May 2020
As the music industry slips into the rhythm of lockdown, so the spigot slowly becomes untapped and events, livestreams and similar start to flow more steadily. This week a host of big names are up to a bunch of different stuff, all worth checking.... Read more... |
Reissue CDs Weekly: Bob Stanley & Pete Wiggs Present The Tears of TechnologySunday, 10 May 2020
“Like mellotrons before them, synthesisers could project a strange and deep emotion – something in the wiring had an inherent melancholy. Previous generations had often disparaged synths as dehumanising machines but, at the turn of the 80s, a new... Read more... |
New Music Lockdown 4: Neil Young, Roger & Brian Eno and a trip to NashvilleWednesday, 29 April 2020
Midway through another week of lockdown, here's a cross section of small good things to keep the eyes and ears entertained. There's some lively stuff here for the old grey matter to chew on. Take a look. Dive in!Neil Young Fireside SessionsNeil... Read more... |
Reissue CDs Weekly: Hans-Joachim Roedelius - Tape Archive Essence 1973-1978Sunday, 26 April 2020
Even though nothing on Tape Archive Essence 1973–1978 was released at the time it was recorded, every track evokes material which was issued. Any fan of the German legends Cluster and Harmonia needs this album gathering extracts from tapes key... Read more... |
Berlin Philharmoniker, Karajan, Digital Concert Hall review - a captivating musical time capsuleThursday, 09 April 2020
When I saw that the Berlin Philharmonic had thrown open the doors to its virtual concert hall the thing that most interested me was to see some Karajan. When I was a child in the mid-1980s I lived for a while in Berlin and my father took me to the... Read more... |
ZZ Top: That Little Ol' Band From Texas, Netflix review - riffs, drugs and rodeosThursday, 09 April 2020
ZZ Top always seemed like a Texan version of Status Quo. It turns out, from watching this entertaining but hardly revelatory documentary, that is kind of what they are. Directed by Canadian Sam Dunn, best known for his 2005 documentary, Metal: A... Read more... |
ReMastered: Tricky Dicky and the Man in Black, Netflix review - dynamic saga of music and politicsFriday, 03 April 2020
Netflix’s ReMastered series is one of the streaming channel’s undersung gems. Launching in 2018, when Tricky Dick and the Man in Black first aired, it has proved to be a solidly well-made set of music documentaries. Some of its subjects have... Read more... |
Sondheim at 90 Songs: 5 - 'Every Day A Little Death'Friday, 27 March 2020
“Whipped cream with knives” is how Harold Prince, who directed the Broadway premiere of A Little Night Music in 1973, famously described this particular Sondheim show. And nowhere is that borne out with more exquisite agony than in this duet between... Read more... |
Sinatra: All Or Nothing At All, Netflix review - epic two-parter on pop's first superstarThursday, 26 March 2020
Coming in at around four hours, in two parts, this 2015 documentary is ostensibly about Ol’ Blue Eyes, Frank Sinatra, but really, via the prism of his existence, it’s as much about America’s journey through the first two thirds of the 20th century.... Read more... |
Sondheim at 90: adults will listenSunday, 22 March 2020
Here's an irony worthy of the work of Stephen Sondheim, an artist who clearly knows a thing or two about the multiple manifestations of that word. On the same day that he turns 90, namely today, Broadway is unable to host the keenly awaited American... Read more... |
Elvis Costello and the Imposters, Eventim Apollo review - and the band played onSaturday, 14 March 2020
Elvis Costello is arguably – perhaps unarguably – the most enduring and genuine talent to emerge from the mid-Seventies pub and punk scenes, and his two-hour set on Friday night demonstrated that he’s still a compelling performer, full of energy and... Read more... |
Misbehaviour review - crowd-pleaser tackles Seventies sexismThursday, 12 March 2020
Created in the mould of Made in Dagenham and Pride, Philippa Lowthrope offers up a cheery, kitschy British comedy centred around the 1970 Miss World Contest that was disrupted by feminist protests. Leading this crowd-pleaser are... Read more... |
