1970s
joe.muggs
This documentary is bittersweet viewing on quite a number of levels. First, it’s got all the glory and tragedy of the most compelling music stories: a Liverpool band struggling from humble beginnings, trying to find an identity, fraternity and fallings-out, coping with huge success and its aftermath – not to mention sex, drugs, mental illness and death. On top of that there’s a constant layer of narrative about the endless pressures of racism on black British musicians, told brilliantly both explicitly and in the micro-details of 1960s and '70s life.Maybe most devastating thing of all, though Read more ...
joe.muggs
When does the avant-garde become folk? Both of the participants in this album have certainly been on the very cutting edge of sound-making, on multiple occasions. Conrad Schnitzler was a student of radical artist Joseph Beuys and leading light in the utopian thinking and radical soundmaking of 1970s West Germany as a member of Tangerine Dream and Kluster. Frank Bretschneider was, bravely, an underground musician in East Germany in the 1980s, in partnership with Olaf Bender – and, again with Bender and later with Carsten Nicolai, in unified Germany in the 1990s and on was responsible for some Read more ...
Kieron Tyler
The feather in this particular cap is a DVD of director John T. Davis’ 1979 film Shellshock Rock. Filmed from October 1978 to April 1979, its 50 minutes thrillingly catch the Troubles-era Ulster getting to grips with punk rock. Vox pops from disgusted Belfast shoppers vie with live footage of Stiff Little Fingers, The Undertones, Protex, Victim, the thoroughly unvarnished Parasites and more in a gritty verité portrait of a scene which, due to its contemporary context, was beyond being a pose for the region’s punks. A nervy Stiff Little Fingers are seen admitting they were scared that the Read more ...
Kieron Tyler
“These are African rhythms, passed down to us from the ancient spirits. Feel the spirits, a unifying force. Come on, move with the spirits. Stand up. Clap your hands. Groove with the rhythms. Get down. Get off.”So begins “African Rhythms”, originally released in 1975 as the opening cut from an album of the same name by Oneness Of Juju. It was issued on Black Fire, their own label.As a thematic mission statement, “African Rhythms” lays it out. As a musical mission statement, “African Rhythms” was equally explicit. With its clamorous percussion bedding, the track is driving, funky, jazzy and Read more ...
Demetrios Matheou
At this year’s Oscars Bong Joon Ho brought the audience to its feet in honour of the director whose words had struck a chord with him as a film student. The comment, simple but difficult to adhere to in the cut-throat, risk-averse movie business, was that “the most personal is the most creative”. The director, Martin Scorsese.Of course, Scorsese’s The Irishman was also in contention in the same ceremony, the film a powerful continuation of themes, collaborations and inimitable film language of a career spanning more than 50 years – and proof that the American is still following his Read more ...
Thomas H. Green
The lockdown which began in March is now noticeably easing, although in the realm of gigs and festivals things are still nowhere near operative. Nonetheless, theartsdesk is responding to the changes by ceasing our many weeks of New Music Lockdown Specials and looking forward to an increasing amount of actual live events. This week, we can only offer one, alongside plenty of streamed entertainment, but it’s early days. Here’s to the future. Dive in!Supersonic presents SofasonicBirmingham’s Supersonic is one of the only shindigs in Britain’s jammed annual summer festival calendar that truly Read more ...
Kieron Tyler
“Strange Destinies” is the first track. “Take your eyes off me Svengali” is its memorable opening phrase. Conjuring up Van Morrison, Tom Petty, Mike Scott, Bruce Springsteen and even The Boomtown Rats when they were aping the first and fourth of those, the song clangs along with a powerpop chug and sports a hook-filled melody. Great.Despite this memorable opening, a triple-CD retrospective dedicated to Philip Rambow might seem like a cult item. Especially when no tracks from The Winkies, the band which first brought him to attention, are included. But there’s definitely a story.The Winkies Read more ...
Barney Harsent
In the series one finale of metal-detecting sitcom Detectorists, Lance fills in a hole he’s dug after unearthing nothing more than a rusted ring-pull. As the camera pans downwards, we see the riches that were hiding beneath. He was looking in the right place, it’s just that the good stuff lay tantalisingly out of reach.And that’s a little bit like Homegrown, Neil Young’s lost album. Scheduled for a 1974 release, it was shelved by the singer/songwriter, who felt the emotion on display was too close to the bone following his split with actress Carrie Snodgress. Finally, some 46 years later, Read more ...
Matt Wolf
The government may occupy shifting sands when it comes to handling Covid-19, but the arts thank heavens continue to step up to the plate with a dizzying array of online options. This week's output mixes a soul musical from 1970s Broadway alongside a major revival of a play by Alan Bennett whose enquiry into the psychological well-being of those in charge will doubtless resonate anew today.Not to be forgotten is a tiny west London venue that consistently punches above its weight, alongside a slice of something more radical coming soon to a continent near you. This quartet represents just the Read more ...
Rachel Halliburton
There is a line of argument that – unfairly – blames playwright James Graham for Dominic Cummings. Would Cummings, some might ask, have achieved the influence he has now if it hadn’t been for his depiction in Graham’s brilliant TV drama Brexit: The Uncivil War in which he was played as an obsessive genius by Benedict Cumberbatch? The question’s unfair not least because Graham himself is horrified by the phenomenon of Cummings-driven politics and all it represents. A more interesting question is how a then 36-year-old had the insight to identify the impact and ascendancy of a Read more ...
Kieron Tyler
“Collector of the Light” is based around what sounds like a treated bass guitar. As the neck is moved up and down, multiple notes are plucked at once. The instrument’s sound is subaquatic, wobbly. Over this, a distant, echoey voice sings of being the “collector of light”, restoring dreams and “silver points of wonder”. Atmospherically and structurally, a parallel is the 1968 13th Floor Elevators’ single “May the Circle Remain Unbroken”. “Sunbury Electronics Sequence”, with its obviously after-the-fact title, is a disconcerting nine-minute mélange of speeded-up snatches of voice – “mar-mi Read more ...
Thomas H. Green
As the music industry slips into the rhythm of lockdown, so the spigot slowly becomes untapped and events, livestreams and similar start to flow more steadily. This week a host of big names are up to a bunch of different stuff, all worth checking. Dive in!A Theatre for Dreamers/Von Trapped Family Livestream + Dave Gilmour Live at PompeiiA couple of treats for Pink Floyd fans, from both ends of the band’s career. Most current is the latest home-stream by guitarist David Gilmour’s family. These take place each Friday and partly celebrate Gilmour’s wife Polly Samson’s bestselling novel A Theatre Read more ...