1940s
Tove Jansson (1914-2001), Dulwich Picture Gallery review – more than MoominvalleyFriday, 27 October 2017
Born into an artistic Swedish-speaking household in Helsinki, Tove Jansson’s first, and most enduring, ambition was to be a painter. Although best known as the illustrator behind the creatures of Moominvalley, those plump white hippopotamus-like... Read more... |
Prom 61 review: Fleming, Royal Stockholm Philharmonic Orchestra, Oramo - heliotropic ecstasiesThursday, 31 August 2017
No sunshine without shadows was one possible theme rippling through this diva sandwich of a Prom. Even Richard Strauss's chaste nymph Daphne, achieving longed-for metamorphosis as a tree, finds darkness among the roots; and though Renée "The... Read more... |
Proms 34 & 35 review: Oklahoma!, John Wilson Orchestra - music triumphs, words and drama sufferSaturday, 12 August 2017
Only one thing could equal the "wow!" factor of seeing and hearing a youngish Hugh Jackman launch into “Oh, What a Beautiful Mornin’“ at the start of the National Theatre’s 1998 staging of Oklahoma!: John Wilson and his orchestra trilling and... Read more... |
Man in an Orange Shirt, BBC Two review - soft-focus view of 1940s gay love affairTuesday, 01 August 2017
As chat-up lines go, “I can’t do my fly up single-handed” is pretty full on – even if it is true. Thomas March (James McArdle) is speaking to James Berryman (Oliver Jackson-Cohen), who not only went to the same public school but has also just saved... Read more... |
Buxton Festival review - early Verdi, earlier Mozart and refreshing BrittenMonday, 10 July 2017
“The subject is neither political nor religious; it is fantastical” wrote Verdi to the librettist Piave about his opera Macbeth. “The opera is not about the rise of a modern fascist: nor is it about political tyranny. It is a study in character”... Read more... |
Ariadne auf Naxos, Glyndebourne review – seriously compelling revivalTuesday, 27 June 2017
It’s often said that Ariadne auf Naxos is all about The Composer – not only Richard Strauss but an affectionate parody of his younger self – and Katharina Thoma takes this idea seriously in her Glyndebourne production. In the role, Angela Brower... Read more... |
Albert Herring, The Grange Festival review - playing it straight yields classic comedy goldMonday, 26 June 2017
Perfect comedies for the country-house opera scene? Mozart's Figaro and Così, Strauss's Ariadne - and Britten's Albert Herring, now 70 years and a few days old, but as ageless as the rest. With the passing of time it's ever more obvious that this... Read more... |
Churchill review - Winston has smallness thrust upon himFriday, 16 June 2017
He may often be voted Greatest Briton in the History of Everything, but are we approaching peak Winston? Scroll down Churchill’s IMDb entry and you’ll find that he’s been played by every Tom, Dick and Harry in all manner of cockamamie entertainments... Read more... |
The Discovery of Mondrian review - the most comprehensive survey everMonday, 05 June 2017
Standing inside the Gemeentemuseum’s life-size reconstruction of Mondrian’s Paris studio, the painter’s reputation as an austere recluse seems well-deserved. Returning from Holland to France after the First World War, he lived and worked in what... Read more... |
All Our Children review - shameful historical period horrifies anewSaturday, 06 May 2017
How do you tell a story as complex as the eugenics movement, which is pursued afresh in writer-director Stephen Unwin's new play All Our Children? Its idealistic origins lie in Britain with Francis Galton in 1883, before leading to forced... Read more... |
Their Finest review - undone by feeble female characterisationTuesday, 18 April 2017
Yet another excuse to snuggle down with some cosy wartime nostalgia, Their Finest is purportedly a tribute to women’s undervalued role in the British film industry. Unfortunately it comes over more blah than Blitz. Gemma Arterton plays Catrin Cole,... Read more... |
Neruda, review - 'poetry and politics'Friday, 07 April 2017
Chilean director Pablo Larrain has described Neruda as a “false biopic”, and it’s a film that surprises on many levels in its presentation of Pablo Neruda, the great poet who is his country’s best-known cultural figure. It captivates for the scope... Read more... |
