mon 07/04/2025

Glyndebourne announces 2011 operas | reviews, news & interviews

Glyndebourne announces 2011 operas

Glyndebourne announces 2011 operas

It used to be a treat saved up for the end of the season, when a Christie of Glyndebourne would step before the curtain and announce the next year's operas. Now, like everyone else, Glyndebourne is jumping in quick with its plans, partly, I guess, to raise money for its most expensive project yet - Wagner's Die Meistersinger von Nürnberg as next year's very festive opening gambit.
The good news is that it's going to be conducted by resident powerhouse Vladimir Jurowski, who's already turned in an unforgettable Tristan und Isolde there. The unknown quantities are director David McVicar - when good, great; when bad, horrid - and Gerald Finley, who's already been stretching his paradoxically light bass-baritone too far at times and who takes on the enormous role of philosopher-cobbler Hans Sachs.

On the other hand, the house in the country can't fail to move again with Dvořák's heartbreaking masterpiece Rusalka, staged so evocatively and unusually by Melly Still in her first opera production last season that many of us hoped she'd go on to do a Wagner Ring cycle. The human truth and the magic would surely be equally well served; anyway, there's plenty of time for that. Annabel Arden's direct hit on Donizetti's straightforward L'elisir d'amore is back by popular demand for a third time.  Jonathan Kent's Don Giovanni returns before it's even been tested - it's the second new production on the cards this summer - and there's further mileage to be had from his 1950s setting of Britten's chiller The Turn of the Screw.

Those of us who find Kent a little bit of an also-ran among directors will be looking forward more to the wacky Robert Carsen, who will surely bring his customary sense of visual beauty to bear on a new production of Handel's Rinaldo. A bit of a disappointment, then, for those of us who live in hope that Glyndebourne will return to its brief of the rich and rare. The heyday of unusual Strauss seems to be over, but whatever it does, it will do it in style, with bags of the ideal preparation for which it is celebrated. Oh, and this season - I almost forget - begins on a hopefully warm Thursday.

Share this article

Add comment

The future of Arts Journalism

 

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

newsletter

Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters