sat 16/11/2024

CD: Catfish and the Bottlemen - The Balcony | reviews, news & interviews

CD: Catfish and the Bottlemen - The Balcony

CD: Catfish and the Bottlemen - The Balcony

A short, sweet debut from oddly-named Welsh four-piece

Catfish and the Bottlemen: 'Four lads rattling through three-minute garage rock songs full of sweary, lovelorn couplets'

The story is a familiar one: four lads rattling through three-minute garage rock songs full of sweary, lovelorn couplets. With the exception of the name (a tribute, apparently, to a busker that frontman Van McCann met as a child) there’s little to set Llandudno four-piece Catfish and the Bottlemen apart on paper - but there’s something about their debut album that makes me smile.

Clocking in at just under 40 minutes, making it the perfect length for my walk home from work, The Balcony is the aural equivalent of orange squash: drunk too often it tastes cheap and a little bit sickly, but sometimes nothing hits the spot like a guitar band.

The influences are writ large here: a little Arctic Monkeys swagger, a few clever rhythmic tricks reminiscent of The Walkmen. Taking the straight-talking of the former’s Alex Turner for his lyrical cues but lacking the same natural observational humour, McCann’s love songs are of the “I love you, but your friends can do one” variety (it’s swearier on the record). New single “Fallout” ends with the awkward revelation: “I was a test tube baby, that’s why nobody gets me” - a line so unfortunate it distracts from the song’s big, soaring chorus, which is really rather good.

After a good 18 months spent honing their craft the old-fashioned way - with endless gigs and an exhausting festival calendar - it’s no surprise that the band has made an art form of those big choruses, even if the end result can get a little samey. “Pacifier” is the album’s big arms-the-air number, while opener “Homesick” teams an infectious little syncopated rhythm with a soaring stadium-filler of a chorus that punches above its weight. When they move away from the formula the cracks in the songwriting show: the lyrics of “Hourglass”, the album’s acoustic midpoint, are as cringey as the album’s crass cover art - but hey, this is a band young enough to write a song about a forbidden older love and call it “26”. They’ve got time.

Overleaf: listen to "Fallout" by Catfish and the Bottlemen

 


Add comment

The future of Arts Journalism

 

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

newsletter

Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters