sat 16/11/2024

CD: Angus & Julia Stone - Angus & Julia Stone | reviews, news & interviews

CD: Angus & Julia Stone - Angus & Julia Stone

CD: Angus & Julia Stone - Angus & Julia Stone

Aussie siblings’ folk-rock is finely crafted but lacks emotional ballast

Brother and sister: fine writing unfulfilled by downy voices

Three releases into their career as a duo, the Sydney-based Stone siblings have named an album after themselves.

Whether the muse simply couldn’t supply an alternative (several of the tracks, particularly “Main Street” and “Heart Beats Slow” might have communicated more) or new producer Rick Rubin was aiming at a mini relaunch after the pair supposedly split and embarked on solo careers, has not been disclosed.

Musically, we’re in the middle of the road, with American folk going one way, rock the other, and the Stones are on the small island between lanes, waiting for the little green man. There are interesting musical colours, such as the synth and country guitar on “Grizzly Bear”, but overall, there’s a soft-focus rock feel to many of the tracks that will neither offend nor inspire. Lyrics, however, which they’re collaborating on for the first time, often have a memorable intensity, verging on the poetic. “Main Street”, with its refrain about the lights they’ve lost, and the opener, “A Heartbreak”, which has a vivid first line about “parents… lying about falling in love”, are both finely crafted.

Julia has been feted for the wind-chapped, alt-folk quality of her voice, while Angus is said to have a fluting, Paul Simon-esque lyricism. Neither is really outstandingly original as a soloist, though they do work well together, when Julia’s crackling complements Angus’s burnished lightness, especially when the instrumental line gives them space to be heard, as it does on the ambling, half-spoken, “Other Things”. Yet, given the blend of sensuality and disillusion that simmers during this album, sometimes startling for a sibling act, both of them sound too young. They never quite escape a mood of jostick-scented, gap-year angst, when the lyrics demand voices with grit and emotional ballast.

Add comment

The future of Arts Journalism

 

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

newsletter

Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters